約 5,617,861 件
https://w.atwiki.jp/tljtrans/pages/216.html
It s a sort of urban water cooler legend. "Whatever happened to Alvin Peats?" No one knows, but there are lots of theories. Some say they ve heard he s being kept alive by machines, and that he still controls WATIcorp. It s the kind of thing you have a good laugh at. He wasn t just hooked up to a machine, Damien. He looked like he was a machine. At least, partly so. I ll have to be careful, though, especially since the worm s still working its way into the core. I can t do anything to draw attention to myself. When is it going to start transmitting data back to you? In a day or two. Hopefully. Things are on high alert right now, and every bit of data going in and out of the core is being analysed. (Yawns) You must be tired. I m keeping you up. I m sorry, I m just... Hey, no, no need to find a hotel. You can stay here. I mean, if you re comfortable with that. I can sleep on the floor. You really don t have to― I know. But you ve been through a lot, and you re helping me out, so the least I can do is let you sleep in my bed. (Laughs) Thanks, Damien. If you re okay with me staying here, I will. Okay, so... Let me get the bed ready for you. That s okay, I can― Um. Yeah. Just... I guess you can give me a hand. Okay. Yes. Great. By the way, if I m gone when you wake up tomorrow, don t be alarmed. I have to be at the office quite early. That s okay. I ll be fine. I ll just stay here. Good. Let me find you a sheet and cover. Damien s Apartment Night Use Examine the guardian Crow is the most loyal friend I ve ever had. Examine crow in guardians realm Examine flower Backyard The Fringe War Garden Wati Museum Wati Dreamcore Inner Wati Dreamcore Wati Arboretum Temple Square Guardians Realm Russia Outside Inside Factory That door leads to the other half of the monastery. Look at It s closed. That s the door to the room with the glass walls. It s a card reader. That opens up to the loading bay. It s a heavy duty hook, connected to a winch, which is again connected to the boom. That s the main entrance. Oh my God, what did I unleash? That s the freakiest thing I ve ever seen. It s been ten years since I ve walked through one of those. I need to speak with the Guardian before going back to Arcadia. Swamp City Town That s one huge dead animal. The Captain got the ship out of Marcuria just in time. Another few hours, and they would have arrested everyone, I m sure of it. I m so glad to see that Na ane is safe...though I wonder how she managed to escape the Azadi. Examine before Na ane told me to meet the messenger on the pier. Examine after Kara is the closest thing this town has to a mayor. She was elected to head the council last spring. I think the supplies will improve everyone s morale. Life s been tough this winter, but now there s food for everyone, and medicine for the sick. The supplies are being distributed around town. We don t want to keep it all in one place, in case of...trouble. What s that? Seeing it The witch is here, as promised. She will bring me the Scorpion, and then my mission will be...completed. Examine before talk I need to speak with her, so that she can tell me where to find the Scorpion. Examine again What is that? Spotting the arrow Rebels. But I m not here for them. I m here for the Scorpion. The supplies made it here. Good. I had no wish for their women and children to starve or to fall ill. Faith or no faith - innocent lives are precious. April! MISSING TEXT I m here. I have kept my part of the bargain. Now it s your turn. I have done what you asked of me, Azadi. Your Scorpion waits on that pier. Alone. Leave. If I ever see you again, my sword will kiss your throat. For what I have done, I am already dead. Who are... You. I remember you. From Marcuria. But you re... You re the Azadi. What are you doing here? Have you been― Shit. You followed me here. I swear by my sword, I did not follow you. I came here by...other means. I wish you no harm, mistress. You spoke to me with honesty back in the city, and I respect that. So what the hell are you doing here? If you brought soldiers with you... There are civilians here, women...and children. I did not bring any soldiers. I am alone. Please. Let me explain. I m an Apostle. We are...missionaries. We bring the Word of the Goddess to unbelievers. But we do so with cold steel and swift death instead of sermons and prayers. We are the last resort. And we are feared. I have never before doubted the righteousness of my mission. The Goddess is the one true deity, and we must bring her light to the darkest places. And yet... I have seen and heard many things in my brief time here in the Northlands. I have seen with my own eyes how ignorance and fear are leading some of my people astray, how arrogance and distrust threaten to corrupt our mission. I have witnessed deeds – deeds of which you spoke so passionately when we first met - that have lifted a veil from my eyes. Does the Goddess, in her infinite and unquestionable wisdom, truly want us to commit these deeds on sovereign peoples, in these sovereign lands? Bravo. That s a very convincing speech, Apostle . You almost had me going there for a moment. I am an assassin, and my mission is plain and undisputable. Only... I believe now that the Goddess has led me here for another reason. Led me to you. Why else would She have brought us together, first in Marcuria, and now here, if it wasn t to show me – show us – a different path? Sorry. I don t believe in destiny or divine intervention. Not anymore. I believe that some things are meant to happen. Call it destiny. Call it the will of the Goddess. Call it chance. But do not call it coincidence. So, what now? You expect me to just let you walk out of here, to accept that you ve seen the light ? No. Yes. I...don t know what to think anymore. I only wish to speak with you for a little while longer. To understand. To open my heart to a different truth. I believe the Goddess wishes to speak to me. To me, and not to those who would interpret her Word to suit their needs. And what s your goddess telling you? That my path, a path I have never even considered questioning until this moment, may be one that leads into shadows, and not into light. Look... If you came here to find enlightenment, Azadi, you ve come to the wrong person. The name is Kian, mistress. I cannot claim that I came here to find enlightenment. Quite the opposite. Yet now I m starting to see that a great injustice may have been done to the peoples of the Northlands. You re planning on turning against your own? I will never take up arms against those I have sworn to protect, but I intend to return to Sadir and inform the Six - our Empresses – about what goes on in the provinces. Why? Because it is not right, it is certainly not the will of the Goddess, and it is a betrayal of everything I ve been taught to believe in. I still don t understand...Kian. Faith, mistress. I feared I was losing it, but I was wrong. My faith is as strong as ever. I... I guess I owe you a name. I m April. April. I am pleased to make your acquaintance. You shouldn t stay. If anyone sees you... You will not tell them? I don t have an easy time trusting anyone, Aza― Kian. But I m beginning to believe that you re the real thing, an honourable man. I try to be. But I still don t understand why you re here. And I don t understand why Na ane told me that you re― I knew you were weak, Apostle, but I never imagined you would go so far as to betray your own people. Vamon? What in the name of the Goddess are you doing? Your job, Alvane. Destroying the enemy. Or did you forget that was why you were sent here? There are women and children in this city, Vamon. Civilians! They re all equal in the eyes of the Goddess, are they not? Terrorists, wives of terrorists, children of terrorists... Sinners. Every one of them. As for this one... Is this who you were sent to kill? To...kill? No. I was about to tell you. I did not know who you were. I came to find the Scorpion, and I found you in his place. Scorpion... That s― That s the name your people gave me. After I put the fear of the Balance into them. You re...him? Your mouth is filled with venom, witch, even to the last. You are truly beneath us. And you, Alvane... Arrest him. Lower your weapon, soldier. I m an Apostle. No more, Kian Alvane. You have betrayed the Six, you have strayed from the Path, and you have forsaken the Mission. You have become soft like a spoiled fruit. You actually empathise with these heathens and murderers. You, Apostle, have committed a mortal sin. You have lost your Faith. No, Vamon. It is not I who have strayed from the Path. It is not I who have lost my Faith. What are we doing to these people? Why are we trespassing on their land? This is not the will of the Goddess. So now you question your Empresses, too? Your hole grows deeper by the second, Apos― Alvane. Still, the Goddess is merciful, and so am I. I ll give you one more chance to prove your loyalty and save yourself from eternal damnation. Do what you came here to do. Kill this murderous witch. Kill the Scorpion. Just get it over with. I came here to face the Scorpion, but I didn t know who the Scorpion was. I could never harm you. No I have no right to end her life, she was only protecting her people How do you know that this woman is the Scorpion? Are you feeble? Or just deaf? She confessed to us. I am the Scorpion. Do you honestly think I fear death? I ve faced it countless times, and I ve never blinked. You should fear death, witch. The Goddess does not smile on murderers and heretics. What stays your blade, Alvane? Whomever she is, whatever she s done, she does not deserve death. I cannot kill her. Stall I need to stall them Spare her life, Vamon. Please. She has only killed to protect her land and her people. She has murdered trueborn, Alvane. Her hands reek of their blood. How can you proclaim her innocence when she admits her own guilt so readily? At least let her stand trial. Let her speak. Let her explain her actions to the Council. Maybe then― I m not going to stand in front of your judges and plead for my life. I d rather die here. Plead Her life must be spared If I do not kill you, he will. And that makes it all right? I guess the true measure of a man is what he does when a knife is put to his throat. And you, my friend... You failed. Don t say that. I have no wish to kill you, but my Mission― Your mission ? You ve been blinded by faith, Kian. You can t see wrong from right. I feel sorry for you. I... I can t. I cannot kill you. You do not deserve to die. Yes She has murdered many of my people, and she deserves to die Very well. You ve made your choice. Kill her. No! Please don t tell me you felt for that Goddessless butcher. What you re doing here is wrong! What, protecting our people from terrorists? Destroying the enemy s stronghold? Tell me, Kian, what exactly am I doing wrong? These people are only defending their homes and lands from invaders. We re in the wrong here, not them. You ve fallen far deeper than I thought possible, Alvane. It will be entertaining to see you stand trial. It will not happen. When the Emissary― The Emissary was the one who ordered you arrested, Alvane, after you let the innkeeper and that smuggler vessel go. It was clear to the Mistress that your loyalties were no longer with the Empire. Although, ironically enough, you were the one who led us here. I am sure that will count in your favour at the trial. Maybe they ll even let your body lie in a marked grave. Take him away. I ll make you pay for this, Vamon. I swear by the Goddess, I will not rest until your beating heart is in my hand. Such unpleasantness... Kill them all. Burn the city down. Leave no prisoners. Na ane? April-an. It brightens my heart and spirit to see you here, safe and in good health. We heard that you had escaped Marcuria, but I was worried nonetheless. And now the stars have brought you back to us. How did you get out of Marcuria? I heard they shut all the gates and posted guards at all exits. As a stowaway on a tradeship bound for Corasan, and on a leapfur s back north along the old paths. A Zhid was generous enough to share her mount with me. I m glad you re safe. Good thing Brynn and Chawan had just left with the supplies. They were the lucky ones. The stars shine on all of us, April-an. What about our friends at the Journeyman? What about Benrime? I m sure they don t feel so lucky right now. Fortune often has a dark side. But there may still be a chance to aid the innkeeper. What? How? I have just been told that someone arrives from Marcuria with word of Benrime. He wishes to speak with you. Who? A stranger...a friend. A messenger. He wishes to meet with you on the west pier. He will speak with you, and no one else. And you re sure this man is a friend? How did he find us? Would I lie to you, April-an? I m sorry, Na ane. Of course not. I trust you. I ll go right away. Listen, if it turns out this man has important information, and I have to go back to rescue― I would not let you walk alone, April-an. Go now. He arrives soon. You must go to the west pier. The messenger will meet you there shortly. We ll need to make another run south before the ice breaks, though I m guessing Marcuria is out of the question. We lost some good people. We got careless. Bah! We were as careful as we could be. We just got unlucky. It was bound to happen sooner or later. Let s just hope we got enough intelligence out of it to justify the losses. I wish I could say that s the case. The fact is, they re getting too strong for us. They tore us apart down there, easy as― Ah, quit your whining, woman! The Raven I know is tougher than that! There s enough doom and gloom in this place already. Which is why I m going back. To Marcuria? Are you sure that s wise? We stay here, we go there - it s all the same. They re coming, and they won t stop, not until we strike at their heart. Marcuria. The tower. Ha! The tower! It ll take more than you and your band of merry rebels to topple that one, Raven! And even if you do, you think that ll stop them? No, we need to stay strong, build our allegiances, recruit more people, and keep the enemy from our doorstep. Time and patience will decide the victor. We don t have time. Look at what happened in Marcuria! We have to act now. We have to take the war to them. I m inclined to agree, Raven, but we re not strong enough. Not yet. If you stay here, we can train more people, build our strength, and― And talk about how, some day, we ll crush the enemy and take back our lands and our cities. That s what we do best. Talk. They murdered my friends, they arrested our most trusted ally in Marcuria, and they re probably moving north even now. And you say we should wait? I m done waiting. Bah! The Azadi don t have a clue where we are. Trust me, Raven, we re safe here. Besides, no one but me and my boys can navigate the rivers and swamps between us and the Bay of Fire. Even if the Azadi should learn of our whereabouts, the scouts will give us two days warning. We ll sink their boats before they even know what hit em! Even so, I can t just sit here and wait. I have to do something. I swear, Raven, you ll get yourself killed one of these days. Huh. Sometimes I wonder if that s not what you want. But if it s south you want to go, if you want to take your war to the Azadi, then fine, you ll have my boat. I ll take you where you want to go. Now, you ll have to excuse me. We still have to unload the grain and move all the supplies into storage. I ll come by later and give you a hand. I just have a few people I need to speak with first. Enemy soldiers! You will be with your Goddess soon enough! I ll take a hundred of you to the grave with me! Kara. A moment, April. Please make sure the herbs are distributed to the lieutenants. They are each responsible for their group getting the medicine they need. April. Thank the Balance you escaped Marcuria, and that Brynn and Chawan made it here with the supplies. Your efforts are much appreciated. Kara, about Benrime. We need to do― She put her life on the line for us. We won t forget that anytime soon. We ll sing her song at the tables tonight. The Azadi will be keeping her alive until they can ship her west. They like to have a show trial before executing their prisoners. If I can take a dozen people with me south, I can― You intend to take on the entire Azadi army by yourself? No, April. This war will have its victims, and you ll have to learn to live with that. You may have a death wish, but not everyone shares your lack of faith in the future. In time, we shall prevail. I ve dedicated my life to fighting the Azadi, Kara. What makes you say that I have no faith? You ve already given up your life. You don t fight because you want to destroy them. You fight to destroy yourself and your demons. Granted, your ferocity and guidance have strengthened us. The enemy fear and curse your name, and you ve made them tread more cautiously in the north... But both you and I know you re not doing this for any greater cause. You re doing this because it s the only thing you have left. And I can t have you taking our people with you on a suicide mission. So we let Benrime rot in prison, is that it? We let them take her to their country, where she ll die because she helped us? Yes. We do. Benrime wasn t― isn t stupid. She knew the risks, she knew it was a dangerous game to play, and she played it as safe as she could. Unlike you. I don t accept that. I can t leave her to die. Accept it or not, you re not taking anyone south. We have enough trouble protecting our homes and our supplies. We can t afford another setback. They re not your people. They make their own decisions. That they do. And you may find that, for once, you re on your own. Now, if you ll excuse me, I have other matters to attend to. I ll see you at dinner tonight, April. And thank you again for bringing us the supplies. Without them, we wouldn t have lasted through the winter. There s no point. She won t understand. I would just be wasting my time. Azadi! There are too many of them! Run! Where did they come from? Under attack I know they re running short of warm clothes in Snapjaw s Cove, Jiran. We need to send a boat over there with coats, shoes, and blankets. And in Bunnvik, they are fighting a fierce fever. We need to get them some medicines, and soon. It s not safe for them to travel to Corasan any longer. There are more and more Azadi in that city. It s only a question of time before the council announces their allegiance to the Empire. We ve all lost our homes and our lands, but thanks to you, Raven, there s still hope that we will see them again some day. The Azadi will never find us here...will they? I don t want to run again. I m tired of running. How s Marcuria doing? I wonder if I ll ever be able to freely walk her streets again... Who are you? I haven t seen you before. So many newcomers... Will the Azadi ever stop moving eastward? You must be one of the Southlanders from Ge en. Have the enemy taken over your lands as well? We need more of you to come here. That s a great outfit. Where did you get it? The enemy s attacking! It s the Azadi army! They re here! The enemy s here! My entire family was taken from me by the Azadi. For every loved one, I will slay a hundred of them. A thousand! Thank the Balance you all made it home, Raven. We ve seen this war claim too many lives already. I never wanted this, but the enemy left us with no choice but to take up arms against them. To April I haven t seen you around the campfire, handsome. Are you from the eastern fringes of the swamp? I think I would have noticed you. I don t talk to strangers. You never know who to trust. Did you hear about Raven and her team? They brought the supplies with them from Marcuria. There s going to be a feast tonight! To Kian The enemy! How did they find us? The Azadi are here! Azadi Don t let anyone escape! Round them up and kill them, every one of them! Leave no one alive...not even the women or children! They are all heathens in the eyes of the Goddess! There are more over here! Break down this door, soldier! Swiftly! Over here, boys! Hurry! For the Goddess! Victory! Your war is at an end, rebel scum! Stand down! Battle cries Yes, sir. Don t move. Stand down. As you please. Comments MISSINGCINEMATIC ZOÊ spots flaming arrow MISSINGCINEMATIC Zoë spots april on pier MISSINGCINEMATIC Aprils swamp city reveal MISSINGCINEMATIC April watches flaming arrow MISSINGCINEMATIC Kians swamp city reveal MISSINGCINEMATIC Kian spots flaming arrow MISSINGCINEMATIC Vamon arrives! MISSINGCINEMATIC April Dies. OH NOEHS! LOL MISSINGCINEMATIC Zoë rescued by chawan and brynn. PLACEHOLDER Chawan and Brynn sweep Zoë out of harm s way. I apologise for the mess. We had some...trouble with one of the exhibits. It went berserk. Don t worry, almost no one was seriously hurt. To learn more about the exhibits, just touch the icons. Examine Rebel Leader Talk to rebel leader Talk to obasaan Mom and Dad wil never let Hiro watch any monster movies ever again. Hiro is so dead. Talk to riko in museum Climb up ladder Attempt open filing cabinet door Look at Car interface Hack Car TIB_Tibet Exterior Swamp City Look at ribcage Look at boat house Look at boat Look at Pier Look at Town Look at supplies MISSINGTEXT Looks like some old computer with a cube interface. No, I can t leave until I find out what went on down here. This is the end of the road...and I m not giving up. Once The city s been added to many times over the years. Every time I return, there s another new addition. There are five separate sections of the city, and you can only get from one to the other via boat. That makes it hard for an enemy to mount a coordinated attack. Even here, people keep their doors closed and bolted. The Azadi have taught us to fear and distrust each other. Examine one Boats are very important here. You cannot reach another section of the city without one. That s the west pier, where the messenger is supposed to meet me. They re beautiful. I like watching starflies. They calm me down. It s hard to believe that anyone would build a city like this. It s a long way from the white walls and gleaming towers of Sadir. This city is larger than I would have guessed. There must be thousands of people living here. Old, young...children. These doors do not look very secure...but in a remote place like this, they don t have to be. Boats must be important to get around this city. Only parts of it are covered by the bridges and walkways. Glowing insects... What a strange place this is. STop and go! Examine door Open door Rebel Talk to Ena Examine window Look at hologram Look at Male scientist Look at commando Look at door from arboretum Look at Container Climb ladder yo SUBJECT re help FROM Liv Dreamcore_worm The monster 2 Pants and Mobile Package It s a small pebble. Picking up item Dropping item. test I don t have the item in my inventory. Smooth and well balanced. Perfect for throwing. Chapter is between 10 and 12. The chapter is not in range 10 to 12 Hi, I m Zoe. first I m Zoe too, but I have sexy clothes. How old are you? Age I m 18. What are your sexual orientation? Sexual orientation I will not answer that question, thank you. Why won t you tell me about your sexual attitude. Secret I don t have the item. Ok, thats it! This conversation is over! Reza Climb Hands behind your head! That s him, the man I ve been following. new Keyword Castillo home Localized name of character I promised Liv I d stop by her shop after the gym. She wants to show me something . It s not that she tries to be cryptic - she just can t help it. Whatever she wants to show me, I m sure it ll be interesting. Liv rarely disappoints. I should stop by the shop. Liv wanted to show me something . It s not that she tries to be cryptic - she just can t help it. Whatever she wants to show me, I m sure it ll be interesting. Liv rarely disappoints. I ran by Liv without saying hello! What was I thinking? That was rude. I ll have to go back to the shop later to make it up to her - but I ll wait until after the gym. Chances are she s already forgotten all about it, anyways. She s not exactly the resentful type. What s happened to Reza? Where is he? No one knows where he is - not even Martin. I can t get a hold of him, and the EYE s looking for him. I have to help him somehow. I have to find him. Reza left a message for me with Wonkers, something about a hidden safe in his apartment. Lucia, Reza s Watilla, can open it for me if I tell her the correct codeword. Whatever s in that safe, maybe it ll lead me to him...or at least point me in the right direction. Olivia gave me a hack that can be used to disable locks. I ll need that to get into Reza s apartment. Shit. They ve placed a surveillance spider in Reza s place. I ll need to find a way to disable that to get into his safe. Also, the spider fried Lucia. Hopefully, I ll be able to fix her. I took a close look at the spider. It has a logo that looks like a lion s head. I ve seen that before on other robots, but I can t remember which company it belongs to. Liv might be able to make use of that information. Good job, Zoë! You re well on your way to becoming a secret agent. Okay, so now I need to find a way to fix Lucia before she can open the safe for me. Lucia s battery and processing unit have been completely fried by the spider. I must find replacements for both of them. I got a new Watilla battery from Liv. Now I just need a functioning processing unit. Where can I find a working Watilla? I borrowed Wonkers processing unit. Poor guy, I feel terrible. All I need now is a working battery I have both the battery and the brain. I ought to be able to get Lucia back on her feet again now. Fingers crossed. Lucia s awake. I ll just need to tell her the codeword, and she ll open Reza s secret safe...I hope. That was close. I have become a magnet for trouble...or, more accurately, Reza s gotten himself involved in something really bad, and I just happen to be in the wrong places at the wrong times. These past two days have had enough close shaves to last me a lifetime...and if it keeps going like this, it ll be a very short lifetime Is it just me, or did that cat look a little creepy? There was something odd about its eyes... They looked a bit glassy. Reza was going to Newport in North America - to a place called Venice - to meet someone called Charlie at The Fringe...whatever and wherever that may be. If that s where he s headed, I m going after him. He definitely needs my help I m here. Newport. Venice. Now to find The Fringe and this Charlie person. Maybe one of the locals could point me in the right direction? That Chinese guy told me where to find The Fringe. What was it again... The other side of the Crossroads, and through Via Milano to Florence Square? Reza s okay, thank God. It appears that he was planning to break into a place called the Victory Hotel. That was last night...but it s the only clue I have to go on. I have to follow him. He could still be there. That girl again! This is not viral marketing, that s for sure. She s talking to ME. I don t know who s doing it, or how, but someone s definitely trying to tell me something Marcus promised to meet me later tonight at the The Fringe. I guess I ll just go there and wait for him. I need to speak with Charlie, too. The only thing in that wardrobe was the picture of him and the two girls. I don t see how that has anything to do with Reza or the scary girl on the screen, but it s all I have to go on. I should try and call Reza again. Charlie said I could use one of the VIP rooms upstairs. There must be a way to get to the top of that waterwheel. Looks like that s the only way out of here. Dream or no dream - drug-induced or not - I have to deal with the reality of this place, and that means doing what this innkeeper is telling me to do. She seems friendly enough The innkeeper can t make any mulled wine until she gets her delivery of spices, so I ll need to go to the South Gate Market to pick them up for her More running around! The spice merchant hasn t received his delivery of spices this morning, so I agreed to pick it up for him I got the spices. Now I ll just have to run back - again! - to the spice merchant to give him the spices and get the innkeeper s delivery.. I have the innkeeper s delivery of Mrs Mullins Mixed Spices. Time to get back to the inn to get that mulled wine for Blind Bob. I should get the mulled wine to Blind Bob. I found Crazy Clara, but she s not being very communicative. She misses her baby - a pet of some kind - which, as far as I can tell, was taken by the soldiers and put in a cage Clara seems very happy to have her baby back, and now I know where to find Minstrum Magda. She s the soup lady down in the marketplace - the one I ve passed by several times already, go figure. Time to go talk to her. That boy really wants me to follow him. If he can get me in touch with April, I don t think I have a choice Was it all just a dream, or did I really go to this Arcadia place? Who knows, and it doesn t matter. My priority is findin Wati City, Japan. God, it s freezing Reza s contact is a Damien Cavanaugh, and he works right here at WATI HQ. Liv said he s most likely at work today. All I need to do is find a way into the heavily fortified headquarters of one of the world s largest corporations, search through their offices - which are no doubt guarded by aggressive bots - and convince this Damien guy to talk to me All right, this is it, I ve completed the transition from bored college drop-out to secret agent. My mission? To infiltrate a high security lab, insert a worm into an organic computer, and get out undetected Okay, that s one thing crossed off the list. Now I need to find a capsule to put this worm into. Damien said to look in th Next, I need to scan both the worm and myself. The scanners are in the medlab. Now I have to find the key to get into the Dreamcore. Damien told me there would be a datakey in the security office somewhere, and he d make sure the guard would be away from his post. There s heavy security in the security office - that didn t come as a big surprise - so now I have to shut down the grid. The only way to do that is from inside the security office, using a spider The security office should be accessible now. I ll need to find the datakey to unlock the door to the Dreamcore. This is it. Time to enter the core room itself and insert the worm into the Dreamcore. I ll need to keep an eye out for people. If they see me, they ll trigger the security routines. The alarm s gone off! I hope it wasn t me. I need to find a way out of here - but I won t be able to get out the same way I got in. The elevator s probably my best bet at this point. Why did the girl send me up here? There must be something she wants me to do... Back in this strange place again... This definitely feels like a dream. I m not cold at all, and everything s sort of...warped I m in prison Yay! April has found me, and she s sent her friend Crow to help me. Crow s a talking bird. (Yeah, I m starting to get used to the weirdness of this place. Too used to it. Crow s delivered the goods. I should be able to melt that lock with the acid potion, and knock the guard out with the smoke bomb. I ll just have to get close enough to hit my target, but not so close that he notices me. So, Zoë, stay low and aim well. The guard s out of commission and the coast is clear. Now I ll have to find a way out of this horrible place. There s no way past the guard on the floor below, but he s waiting for a sandwich to be delivered. I don t know if that information will be helpful to April, but it can t hurt. If nothing else, I guess it could get her into the building. That s a start. Day two aboard the airship, and I think I m starting to smell. Other than that, it s going well. Westhouse and Crow are good company, and the hammock is reasonably comfortable This city is completely amazing. Nothing I ve ever seen can compare with it. I wish I had a camera.. Where am I? I thought the White Dragon would send me back to my world, but this definitely isn t it. So what am I doing here? The virus originated from below my current position. There must be a basement of some kind. I need to find a way down there. Home again The EYE has sealed off Reza s apartment. I ll probably need Liv s help to get through the lock. She s the master of breaking into stuff. Liv gave me a hack to use on the spider. If I m successful with that, the spider will be permanently disabled. Liv told me that I ll need to stay quiet around the spider, or it ll wake from its sleep mode. If that happens, I ll have to stay completely still. It reacts to sound and movement, but it s otherwise quite stupid. To disable it, I ll need to find a way to expose it to running water. I have to get Reza s notebook to Liv. Okay, now I m running REALLY late for the gym! I shouldn t waste any more time. Jama will give me hell...in that quietly menacing way of hers. That thing with the screens... Am I the only one who s seen it? And what s with that girl? If it s viral marketing, it s not very effective, just...freaky SUBJECT An updat FROM Dad SUBJECT Keeping appointment FROM Jama Mbaye SUBJECT ?? FROM Carlita SUBJECT Hello FROM Unknown contact [Karen Jensen] SUBJECT Getting in touc FROM Katrina SUBJECT Don t believe he FROM David A. The intrusion into Dreamcore originated from inside that abandoned factory building. So whatever s causing the Static, whoever that girl is who keeps haunting me - the answers are here, all of them Damien promised me he d be here when I woke up... What s happened to him? I hope WATIcorp didn t find the worm. FROM Voice mai FROM Voice mail SUBJECT Messag FROM MURAMURA//WORLDWIRE_PRE Russia? Okay. Damien...I hope you know what you re doing. SUBJECT disappearanc FROM ANON//BINGO!WIRE_EUROPOLIS Talk to Crow left for the South Gate Market to find Westhouse. I ll need to go there to meet them both. I told Crow I wanted to walk around a bit before we go look for this Westhouse guy. I ll need to return to him when I m ready. Where am I? What is this place? I must be dreaming. This can t be real. It just can t Great. Turns out Blind Bob doesn t know where Minstrum Magda is, so he told me to go see someone called Crazy Clara who lives up Crab Bend , wherever that may be That Theoretically Blind Bob guy wants some mulled wine, made with Mrs Mullins Mixed Spices. Apparently, only the best will do even when you re living on the streets. Just your basic console. Look at back There s an icon here that says hallway . Look at front There s a corridor back there. Examine closed There s no pad. The doors are probably controlled from the console. Try to open There s probably a storage room back there. Examine door closed The door s got an electronic lock. Examine door closed again The doors are jammed and the circuitry has been EMP ed. The pressure s been released. I should be able to open the doors now. The cover s loose. I should be able to open it. There s a handle with a label that says pressure release . It s glowing like a torch, but there s no fire or heat. On stick first I can hear ticking. I think there s some sort of clockwork mechanism inside. Maybe that s what s generating electricity. On stick second It s cold and smooth, like an egg. And it s ticking like clockwork. In inventory It looks like a machine with a big wheel and a socket on top. I wonder what it does...and if it still works. Without egg first It s definitely mechanical. And old. Who built these things? Without egg second That egg thing fit right into the socket. With egg
https://w.atwiki.jp/hiyocombat/pages/16.html
else { header("Content-type text/html; charset=UTF-8"); require( /var/www/docs/jp/konami/mgs5/checkcookie.php5 ); $licencetype = check_cookie( jp , web , 1 , , index ); } ? !DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" "http //www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd" html lang="ja" xmlns og="http //ogp.me/ns#" xmlns fb="https //www.facebook.com/2008/fbml" head meta http-equiv="X-UA-Compatible" content="IE=edge,chrome=1" / meta http-equiv="Content-Type" content="text/html; charset=utf-8" / meta http-equiv="content-script-type" content="text/javascript" / meta http-equiv="content-style-type" content="text/css" / title METAL GEAR SOLID V THE PHANTOM PAIN - å…¬å¼WEBサイト /title meta name="description" content="METAL GEAR SOLID V THE PHANTOM PAIN - å…¬å¼WEBサイト" / meta name="keywords" content="Konami,コナミ,å°å³¶ãƒ—ãƒãƒ€ã‚¯ã‚·ãƒ§ãƒ³,MGS,TPP,メタルギア ソリッド V ファントムペイン,A Hideo Kojima Game,å°å³¶ç§€å¤«,æ–°å·æ´‹å¸,Foxエンジン" / !-- ICON -- link rel="apple-touch-icon" href="apple-touch-icon.png" / link rel="apple-touch-icon" sizes="57x57" href="apple-touch-icon-57x57.png" / link rel="apple-touch-icon" sizes="72x72" href="apple-touch-icon-72x72.png" / link rel="apple-touch-icon" sizes="114x114" href="apple-touch-icon-114x114.png" / !-- Faceebook -- meta property="og title" content="METAL GEAR SOLID V THE PHANTOM PAIN - å…¬å¼WEBサイト" / meta property="og description" content="METAL GEAR SOLID V THE PHANTOM PAIN - å…¬å¼WEBサイト" / meta property="og type" content="game" / meta property="og url" content="http //www.konami.jp/mgs5/tpp/jp/index.php5" / meta property="og image" content="http //www.konami.jp/mgs5/tpp/jp/facebookimage.jpg" / meta property="og site_name" content="METAL GEAR SOLID V THE PHANTOM PAIN - å…¬å¼WEBサイト" / meta property="og locale" content="ja_JP" / link rel="shortcut icon" href="http //www.konami.jp/kojima_pro/favicon.ico" meta name="viewport" content="width=device-width, initial-scale=1.0, user-scalable=no, maximum-scale=1.0, minimum-scale=1.0" script language="JavaScript" type="text/javascript" src="../_common_all/js/common.js" /script script !-- setIncFile("../","jp"); /script script language="JavaScript" type="text/javascript" src="../_common_all/js/gnavi.js" /script script language="JavaScript" type="text/javascript" src="../_common_all/js/news.js" /script script language="JavaScript" type="text/javascript" src="../../_js/jquery.cookie.js" /script !--[if lt IE 8] script src="../_common_all/js/IE9.js" /script ![endif]-- !--[if lt IE 9] script src="../_common_all/js/css3-mediaqueries.js" /script ![endif]-- link rel="stylesheet" href="../_common_all/css/import.css" type="text/css" media="all" link rel="stylesheet" href="../_common_all/css/common.css" type="text/css" media="all" link rel="stylesheet" href="../_common_all/css/side_jp.css" type="text/css" media="all" link rel="stylesheet" href="../_common_all/css/news.css" type="text/css" media="all" link rel="stylesheet" href="./_css/top.css" type="text/css" media="all" !-- â–½lightbox -- script type="text/javascript" charset="utf-8" $(document).ready(function(){ if(!is_smartphone()) { $(".career a").colorbox({iframe true, width 770, height 530, maxWidth "100%", maxHeight "auto"}); $("#subBox a[rel= ]").colorbox({iframe true, innerWidth 1080, innerHeight 608, maxWidth "100%", maxHeight "100%"}); } }); var pathlv = ../../ ; var langval = jp ; /script !-- â–²lightbox -- script type="text/javascript" src="https //libs.coremetrics.com/eluminate.js" /script script type="text/javascript" src="http //www.konami.jp/common/js/da.js" /script /head body id="top" div id="wrapper" div id="header_wrap" div id="header" div id="knmlogo" a href="http //www.konami.jp/" img src="../_common_all/img/logo_konami.png" alt="KONAMI" width="113" height="35" / /a /div div id="btnGlobal" a href="../../index.html" target="_self" img src="../_common_all/img/btn_global.png" alt="GLOBAL TOP" width="102" height="35" / /a /div div id="tpplogo" a href="./index.html" img src="../_common_all/img/mainlogo_sp.png" alt="METAL GEAR SOLID V THE PHANTOM PAIN" / /a /div /div !------- /#header_wrap ------- /div div id="spmenuArea" div id="spmenu" img src="../_common_all/img/menu.png" alt="MENU" / /div /div div id="container" div id="contents" div id="mainBox" h1 img src="./_img/mainvisual.jpg" alt="METAL GEAR SOLID V THE PHANTOM PAIN" class="pc" / img src="./_img/mainvisual_mid.jpg" alt="" class="mid" / img src="./_img/mainvisual_sp.jpg" alt="" class="sp" / /h1 div id="tpp" p class="releasedate" img src="./_img/afup/tpp_release_date.png" alt="2015å¹´9月2日(水)発売" / a class="cdmov" href="./cd_movie.html" /a /p /div div id="subBox" div id="btn1" a href="./online/index.php5" img src="./_img/afup/btn-mgo.jpg" alt="METAL GEAR ONLINE" class="" / /a /div div id="btn2" a href="http //www.youtube.com/embed/HXzTt3-46J4?rel=0 wmode=transparent vq=highres" target="_blank" rel="" img src="./_img/afup/btn-mgotrailer.jpg" alt="METAL GEAR ONLINE WORLD PREMIERE TRAILER" class="" / /a /div div id="btn3" a href="http //www.youtube.com/embed/oKMrG1NmUZA?rel=0 wmode=transparent vq=highres" target="_blank" rel="" img src="./_img/afup/btn-e32014.jpg" alt="E3 2014 TRAILER" class="" / /a /div !------- /#subBox ------- /div div id="newsBox_wrap" div id="newsBox" class="clearfix" p class="ti" img src="./_img/news-ti_sp.png" alt="NEWS" class="" / /p p class="btn" a href="./news/index.php5" class="info_more" MORE /a /p ul id="newslistBox" li class="topnews" dl dt 2015.03.04 /dt dd [NEWS] METAL GEAR SOLID V THE PHANTOM PAIN - 2015å¹´9月2æ—¥(æ°´)発売決定 /dd /dl /li li class="topnews" dl dt 2015.03.04 /dt dd a href="./products/index.php5" [PRODUCTS] METAL GEAR SOLID V THE PHANTOM PAIN - å„ラインナップã¨ãã®è©³ç´°ã‚’公開 /a /dd /dl /li li class="topnews" dl dt 2014.12.06 /dt dd a href="./online/index.php5" [METAL GEAR ONLINE] - ページ公開 /a /dd /dl /li /ul !------- /#newsBox ------- /div !------- /#newsBox_wrap ------- /div !------- /#mainBox ------- /div !------- /#contents ------- /div div id="gNavi_wrap" div id="gNavi_set" div id="sb-set" p id="sb-gz" class="pc" a href="../../gz/jp/index.php5" span class="ti" METAL GEAR SOLID V GROUND ZEROES /span span class="sub" 1975 PROLOGUE /span /a /p p id="sb-tpp" class="pc" a href="./index.php5" span class="ti" METAL GEAR SOLID V THE PHANTOM PAIN /span span class="sub" 1984 MAIN STORY /span /a /p /div div id="gNavi" p id="sb-tpp_sp" class="sp" a href="./index.php5" img src="../_common_all/img/sb-tpp_sp.png" alt="METAL GEAR SOLID V THE PHANTOM PAIN / 1984 MAIN STORY" class="sp" / /a /p ul li class="gbtn9" div a href="./news/index.php5" span NEWS /span /a /div /li !-- li class="gbtn1" div a href="./evolution/index.php5" span EVOLUTION /span /a /div /li !-- li class="gbtn2" div a href="./story/index.php5" span STORY /span /a /div /li !-- li class="gbtn4" div a href="./videos/index.php5" span VIDEOS /span /a /div /li !-- li class="gbtn5" div a href="./images/index.php5" span IMAGES /span /a /div /li !-- li class="gbtn6" div a href="./online/index.php5" span METAL GEAR ONLINE /span /a /div /li !-- li class="gbtn7" div a href="./products/index.php5" span PRODUCTS /span /a /div /li !-- li class="gbtn8" div a href="./goods/index.php5" span GOODS /span /a /div /li !-- li class="gbtn0" div a href="./index.php5" span TOP /span /a /div /li /ul p id="sb-gz_sp" class="sp" a href="../../gz/jp/index.php5" img src="../_common_all/img/sb-gz_sp.png" alt="METAL GEAR SOLID V GROUND ZEROES / 1975 PROLOGUE" class="sp" / /a /p div id="bnr-set" !-- LOAD bnr.js -- /div !------- /#gNavi ------- /div !------- /#gNavi_set ------- /div div id="bottom_set" div id="snsList" !-- LOAD sns.js -- /div /div !------- /#gNavi_wrap ------- /div !------- /#container ------- /div div id="footer_wrap" div id="footer" div id="copyrightSet" ?php if($licencetype == 3 ){? ul id="cero" !-- LOAD footer.js -- /ul ?php }? ?php if($licencetype == 2 ){? ul id="pegi" !-- LOAD footer.js -- /ul ?php }? ?php if($licencetype == 1 ){? ul id="esrb" !-- LOAD footer.js -- /ul ?php }? !-- /#copyrightSet -- /div div id="fmenu" ul li a href="http //www.konami.jp/gs/" target="_self" コナミゲームソフトTOP /a /li li a href="http //www.konami-digital-entertainment.co.jp/ja/inquiry.html" target="_blank" ãŠå•ã„åˆã‚ã› /a /li li a href="http //www.konami.co.jp/ja/siteinfo/about.html" target="_blank" ã”利用ã«ã¤ã„㦠/a /li li a href="http //www.konami.jp/info/quest/" target="_self" 商å“アンケート /a /li ?php if($licencetype == 1 ){ echo li a href="https //www.konami.com/privacy/" target="_blank" Privacy Policy /a /li ;}? ?php if($licencetype == 2 ){ echo li a href="https //uk.games.konami-europe.com/staticpages/view/5" target="_blank" Privacy Policy /a /li ;}? /ul !-- /#fmenu -- /div div id="copyright" ©2014 Konami Digital Entertainment /div !------- /#footer ------- /div !------- /#footer_wrap ------- /div !------- /#wrapper ------- /div !-- Remarketing 2013/4/4 START -- !-- Google Code for http //www.konami.jp/mgs5/ -- !-- Remarketing tags may not be associated with personally identifiable information or placed on pages related to sensitive categories. For instructions on adding this tag and more information on the above requirements, read the setup guide google.com/ads/remarketingsetup -- script type="text/javascript" /* ![CDATA[ */ var google_conversion_id = 992343901; var google_conversion_label = "iP0mCIO5sgUQ3e6X2QM"; var google_custom_params = window.google_tag_params; var google_remarketing_only = true; /* ]] */ /script script type="text/javascript" src="//www.googleadservices.com/pagead/conversion.js" /script noscript div style="display inline;" img height="1" width="1" style="border-style none;" alt="" src="//googleads.g.doubleclick.net/pagead/viewthroughconversion/992343901/?value=0 label=iP0mCIO5sgUQ3e6X2QM guid=ON script=0"/ /div /noscript !-- Remarketing 2013/4/4 END -- /body /html }
https://w.atwiki.jp/stones/pages/382.html
THE ROLLING STONES ON TV SHOW IN 60 S (TV SHOWS) 1964 1 I m Alright (the tami awards show, 10.29.1964) 2 You Better Move On (the arther haynes show, 2.7.1964) 3 I Just Want To Make Love To You (hollywood palace show, 6.3.1964) 4 Time Is On My Side (the tami awards show, 10.29.1964) 5 Around Around (the tami awards show, 10.29.1964) ■THE ROLLING STONES ON TV SHOW IN 60 S (Columbia COBY-5018) (DVD) Tracks 1-5 mono BRITISH ROCK THE FIRST WAVE (TV SHOWS) 1964 1 I Just Want To Make Love To You (big beat 64, 4.26.1964) 2 I Wanna Be Your Man (the arther haynes show, 2.7.1964) 3 Around Around (the ed sullivan show, 10.25.1964) ■BRITISH ROCK THE FIRST WAVE (Laserdisc SM035-3382) (LD DVDR) Tracks 1-3 mono READY STEADY GO! VOLUME ONE, TWO THREE (ARTV) 1964 - 1966 1 Under My Thumb (5.27.1966) 2 Paint It, Black (5.27.1966) 3 I Got You Babe (9.2.1965) 4 (I Can t Get No) Satisfaction (9.2.1965) 5 Off The Hook (11.20.1964) 6 Brian Mick Interview with Keith Fordyce (11.20.1964) 7 Little Red Rooster (11.20.1964) ■READY STEADY GO! VOLUME ONE, TWO THREE (Laserdisc SM035-3383/5) (LD DVDR) Tracks 1-7 mono TONITE! LET S ALL MAKE LOVE IN LONDON (FILM) LIVE AT ROYAL ALBERT HALL, LONDON, 9.23.1966 1 Have You Seen Your Mother, Baby, Standing In The Shadow ? (promo #2 very fast cuts version, 1966) 2 Lady Jane (promo, 1966) ■TONITE! LET S ALL MAKE LOVE IN LONDON (Broadway BWD-1240) (DVD) Tracks 1-2 mono ONE PLUS ONE (FILM) OLYMPIC SOUND STUDIOS, LONDON, 6.4 - 6.11.1968 1 Title 2 The Stones Rolling 3 Out Side Black Novel 4 Sight Sound 5 All About Eve 6 Hi Fiction Science 7 The Haert Of Occident 8 1 Plus 1 Makes 2 9 Inside Black Syntax 10 Changes In Sociaty 11 Under The Stones The Beach 12 End Credit ■ONE PLUS ONE (Pony Canyon PCBE-00014) (DVD) Tracks 1-12 mono ROCK ROLL CIRCUS (BBC TV) INTERTEL STUDIOS, LONDON, 12.10 - 12.12.1968 1 Mick Jagger s Introduction Of Rock Roll Circus 2 Entry Of The Gladiators 3 Mick Jagger s Introduction Of Jethro Tull 4 Song For Jeffrey (Jethro Tull) 5 Keith Richard s Introduction Of The Who 6 A Quick One While He s Away (The Who) 7 Over The Waves 8 Ain t That A Lot Of Love (Taj Mahal) 9 Charlie Watts Introduction Of Marianne Faithfull 10 Something Better (Marianne Faithfull) 11 Mick Jagger s John Lennon s Introduction Of The Dirty Mac 12 Yer Blues (The Dirty Mac) 13 Whole Lotta Yoko (Yoko Ono Ivry Gitlis with The Dirty Mac) 14 John Lennon s Introduction Of The Rolling Stones Jumpin Jack Flash (The Rolling Stones) 15 Parachute Woman (The Rolling Stones) 16 No Expectations (The Rolling Stones) 17 You Can t Always Get What You Want (The Rolling Stones) 18 Sympathy For The Devil (The Rolling Stones) 19 Salt Of The Earth (The Rolling Stones) ■ROCK ROLL CIRCUS (abkco UIBO-1033) (DVD) Tracks 1-19 stereo THE STONES IN THE PARK (GRANADA TV) LIVE AT HYDE PARK, LONDON, 7.5.1969 1 Midnight Rambler 2 Street Fighting Man 3 (I Can t Get No) Satisfaction 4 I m Free 5 I m Yours I m Hers 6 Jumpin Jack Flash 7 Honky Tonk Women 8 Love In Vain 9 Sympathy For The Devil ■ ■THE STONES IN THE PARK (avex rush AVBF 22866) (DVD) Tracks 1-9 mono THE STONES IN THE PARK OUTTAKES 1 Mercy, Mercy 2 Stray Cat Blues 3 No Expectations ■THE STONES IN THE PARK (avex rush AVBF 22866) (DVD) Tracks 1-3 mono GIMME SHELTER (FILM) LIVE AT MADISON SQUARE GARDEN, NEW YORK CITY, NEW YORK, 11.27 - 11.28.1969 ALTAMONT SPEEDWAY, LIVERMORE, CALIFORNIA, 12.6.1969 1 Jumpin Jack Flash (11.28-1st show) 2 (I Can t Get No) Satisfaction (11.28-1st 2nd show) 3 You Gotta Move (part only) (muscle shoals) 4 Wild Horses (part only) (muscle shoals) 5 Brown Sugar (part only) (muscle shoals) 6 Love In Vain (11.27 or 11.28, soundtrack is 11.26) 7 I ve Been Loving You Too Long (Ike Tina Turner) (11.27 or 11.28) 8 Honky Tonk Women (11.28-2nd show 11.27) 9 Street Fighting Man (11.28-2nd show) 10 Six Days On The Road (The Flying Burrito Brothers) (12.6) 11 The Other Side Of This Life (Jefferson Airplane) (12.6) 12 Sympathy For The Devil (12.6) 13 Under My Thumb (12.6) 14 Street Fighting Man (part only) (12.6) 15 Gimme Shelter (part only) (12.6) ■ ■GIMME SHELTER (The Criterion Collection 99) (DVD) Tracks 1-15 stereo GIMME SHELTER OUTTAKES 1 Little Queenie (overdub) 2 Little Queenie (11.27 or 11.28) 3 Carol (11.27 or 11.28) 4 Prodigal Son (11.27 or 11.28) ■GIMME SHELTER (The Criterion Collection 99) (DVD) Tracks 1-4 mono LET S SPEND THE NIGHT TOGETHER (FILM) 1 Under My Thumb (12.13.1981) 2 Let s Spend The Night Together (12.13.1981) 3 Shattered (12.13.1981) 4 Neighbours (12.13.1981) 5 Black Limousine (12.13.1981) 6 Just My Imagination (12.13.1981) 7 Twenty Flight Rock (12.13.1981) 8 Let Me Go (12.13.1981) 9 Time Is On My Side (12.13.1981) 10 Beast Of Burden (12.13.1981) 11 Waiting On A Friend (12.13.1981) 12 Going To A Go Go (11.6.1981) 13 You Can t Always Get What You Want (11.6.1981) 14 Little T A (11.5.1981) 15 Tumbling Dice (11.5.1981) 16 She s So Cold (11.6.1981) 17 All Down The Line (11.5.1981) 18 Hang Fire (11.5.1981) 19 Miss You (11.6.1981) 20 Let It Bleed (11.5.1981) 21 Start Me Up (11.5.1981) 22 Honky Tonk Women (12.13.1981) 23 Brown Sugar (11.5.1981) 24 Jumpin Jack Flash (12.13.1981) 25 (I Can t Get No) Satisfaction (11.6.1981) ■LET S SPEND THE NIGHT TOGETHER (TFC TBD 1070) (DVD) Tracks 1-25 stereo VIDEO REWIND / THE ROLLING STONES GREAT VIDEO HITS (VIDEO) (released 11.14.1984) 1 She Was Hot (promo, 1984) 2 She s So Cold (promo, 1980) 3 Emotional Rescue (edited version 3) (promo #3 montage version 1980/1984) 4 Waiting On A Friend (promo, 1981) 5 Angie (promo #2 sitting version, 1973) 6 Brown Sugar (live mix 1972/76/81) 7 Neighbours (promo, 1981) 8 Too Much Blood (promo, 1984) 9 It s Only Rock n Roll (But I Like It) (promo, 1974) 10 Miss You (promo, 1978) 11 Undercover Of The Night (promo #2 hard core version, 1983) 12 Start Me Up (live mix 1981/82) ■VIDEO REWIND (Vestron Music Video G38M5446) (LD DVDR) Tracks 3, 5, 9-10 mono, 1-2, 4, 6-8,11-12 stereo 25X5 / THE CONTINUING ADVENTURES OF THE ROLLING STONES (VIDEO) (released 2.1990) 1 You Better Move On (the arther haynes show, 2.7.1964) 2 Little Red Rooster (ready, steady, go!, 11.20.1964) 3 Around Around (the rolling stones gather moss, 9.21.1964) 4 I Just Want To Make Love To You (hollywood palace show, 6.3.1964) 5 Carol (dutch TV, 8.8.1964) 6 Time Is On My Side (the ed sullivan show, 10.25.1964) 7 The Last Time (shindig!, 5.20.1965) 8 (I Can t Get No) Satisfaction (shindig!, 7.28.1965) 9 (I Can t Get No) Satisfaction (the ed sullivan show, 2.13.1966) 10 19th Nervous Breakdown (the ed sullivan show, 2.13.1966) 11 Have You Seen Your Mother, Baby, Standing In The Shadow ? (promo #2 very fast cuts version, 1966) 12 Paint It, Black (the ed sullivan show, 9.11.1966) 13 Let s Spend The Night Together (the ed sullivan show, 1.15.1967) 14 2000 Light Years From Home (promo, 1967) 15 Jumpin Jack Flash (promo #2 painted version, 1968) 16 Sympathy For The Devil (one plus one, 1968) 17 You Can t Always Get What You Want (rock roll circus, 12.12.1968) 18 Honky Tonk Women (the stones in the park, 7.5.1969) 19 Under My Thumb (gimme shelter, 12.6.1969) 20 Happy (cocksucker blues, 6.25.1972) 21 Midnight Rambler (ladies gentlemen, 6.25.1972) 22 Angie (promo #1 standing version, 1973) 23 It s Only Rock n Roll (But I Like It) (promo 1974) 24 Brown Sugar (US TV, 5.1.1975) 25 Star Star (les rolling stones aux abattoirs, 6.6.1976) 26 Before They Make Me Run (5.5.1979) 27 Start Me Up (let s spend the night together, 11.5.1981) 28 (I Can t Get No) Satisfaction (US TV,12.18.1981) 29 Waiting On A Friend (promo, 1981) 30 One Hit (To The Body) (promo, 1986) 31 Just Another Night (Mick Jagger) (promo, 1988) 32 Take It So Hard (Keith Richards) (promo, 1988) 33 Mixed Emotions (promo, 1989) 34 Rock A Hard Place (promo #2 less graffiti-effects version, 1989) ■25X5 / THE CONTINUING ADVENTURES OF THE ROLLING STONES (CBS/Sony Videodisc CSLM 753/4) (LD DVDR) Tracks 1-13,16-18,24,26 mono, Tracks 14-15,19-23,25,27-34 stereo ROLLING STONES LIVE AT THE MAX (IMAX FILM) 1 Continental Drift (8.25.1990) 2 Start Me Up (8.24.1990) 3 Sad Sad Sad (7.28.1990) 4 Tumbling Dice (8.24.1990) 5 Ruby Tuesday (8.25.1990) 6 Rock A Hard Place (7.28.1990) 7 Honky Tonk Women (7.28.1990) 8 You Can t Always Get What You Want (8.5.1990) 9 Happy (8.14.1990) 10 Paint It, Black (7.28.1990) 11 2000 Light Years From Home (7.28.1990) 12 Sympathy For The Devil (8.24.1990) 13 Street Fighting Man (8.25.1990) 14 It s Only Rock n Roll (But I Like It) (8.14.1990) 15 Brown Sugar (8.25.1990) 16 (I Can t Get No) Satisfaction (8.24.1990) ■ROLlING STONES LIVE AT THE MAX (Columbia COBY-90008) (DVD) Tracks 1-16 stereo NEXT
https://w.atwiki.jp/mainichi-matome/pages/5543.html
The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳(の疑い)を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 Wanton women cry that men jerk their shot and miss the real targetふしだらな女たちは、男たちは発射して本当の標的を外すと嘆く 参考資料 拡散状況 関連ページ Wanton women cry that men jerk their shot and miss the real target ふしだらな女たちは、男たちは発射して本当の標的を外すと嘆く 元記事(削除済み):http //mdn.mainichi.jp/culture/archive/news/2008/01/20080131p2g00m0dm014000c.html 0 Wanton women cry that men jerk their shot and miss the real target 2008,01,31 Spa! 1/29 By Ryann Connell ふしだらな女たちは、男たちは発射して本当の標的を外すと嘆く 2008,01,31 SPA! 1/29 ライアン・コネル記 1 Japan is in dire straits. The population is declining, people are marrying later, having fewer children, if any at all. And Spa! (1/29) says one of the major reasons for the dilemma is that as many as 70 percent of younger men are unable to achieve vaginal ejaculation. 日本は深刻な苦境にある。人口は減少中で、晩婚化がすすみ、かりにもうけるとしても少子化が進んでいる。 そしてSPA!(1/29)がいうには、この問題の主な原因の一つは、若い男性のうち70%もが膣で射精できないことだそうだ。 2 "They ve got no erection problems and they can masturbate perfectly normally, but there has been a massive increase, particularly among those in their 20s and 30s, who are suffering from vaginal ejaculation disorder, or an inability to ejaculate inside the vagina," Koichi Nagao, a urologist at the Toho University Omori Medical Center, tells Spa! "It s the most common dysfunction I have to deal with among people who come to the clinic. It leads to problems in the home, fertility problems and, in the worst cases, divorce." 「彼らには勃起に関して問題はなく、完全に正常にマスターベーションできます。しかし、膣内射精障害、つまり膣内での射精の不能を患っている人たちが、特に二十代と三十代の間で、大量に増加してきています。と、東邦大学大森メディカルセンターの泌尿器科医永尾光一はSPA!に語る。 これは、クリニックにやって来る人々の中で私が扱わなくてはならない最も一般的な機能不全です。これは家庭内でも問題を起こします。不妊問題と、最悪の場合、離婚です」 3 Though there s no data available on exactly how many Japanese men are actually suffering from vaginal ejaculation disorder, a soapland brothel worker the magazine gives as its source says over her many years of servicing male clients, it would have to be around 70 percent. 正確にどれだけの日本人男性が実際に膣内射精障害を患っているかについて参照できるデータは無いのだが、SPA!が情報源として紹介する売春宿ソープランドの従業員は、男性客に何年もサービスしてきた経験からいうと約70%に違いない、という。 4 "Young guys in particular. I d say for every 10 guys, only about three come inside," the woman says. "There has definitely been an increase in the number of guys who ll finish themselves by hand, guys who leave without coming and guys who only want to talk." 「特に若い男性はそうです。10人の男につき中でイくのはたったの三人くらいでしょう」とこの女性は言う。 手で自分自身をイかせる男、イかずに帰る男、話をしたいだけの男の数が明らかに増大してきています」 5 Tsueno Akaeda, a doctor who runs a clinic in Tokyo s Roppongi, agrees with urologist Nagao. 東京の六本木にあるクリニックを運営している医師・赤枝恒雄は泌尿器科医永尾に同意する。 6 "There are definitely more people with vaginal ejaculation disorder than there used to be," he says. "There has been incredible progress made in masturbation goods and there are plenty of people who can ejaculate into an artificial vagina, but not the real thing. I get more than a few men come to see me about that. And those in their 20s and 30s have grown up watching adult movies. They find masturbation easier and more satisfying than intercourse." 「明らかに以前よりも、膣内射精障害を患う人々が多くいます」と彼は言う。 「マスターベーショングッズは信じられないほど進化していて、人工ヴァギナの中へと射精できるけど実際のものにはできない人々がたくさんいます。そのことで私のところにやって来る男は2・3人より多いです。そして二十代と三十代の男性はアダルトムービーを見ながら成長しました。彼らは性交よりもマスターベーションの方が簡単でより満足出来ると思うようになったのです。 7 Experts say one of the main reasons men develop vaginal ejaculation disorder is that they learn how to masturbate using methods that feel distinctly different from vaginas, such as rubbing up against pillows or lying face down and moving back and forward for stimulation until climax. 男たちが膣内射精障害を患う主な理由の一つは、明らかにヴァギナとは感じ方の違う方法――絶頂に達するまで刺激を得るために、枕にこすりつけたり、うつ伏せになって前後に動いたり――を使うマスターベーションの仕方を彼らが覚えたことだ、と専門家たちは言う。 8 "Naturally picking up somewhat unnatural methods has to be the main reason," Nagao says. "Or, some guys obtain pleasure from some method they ve happened to discover almost by accident and keep on doing it that way. It used to be that your bad buddies would tell you the best way to jerk off." 「当然ながら、どこか不自然な方法でしていることが主な理由に違いありません」と永尾は言う。 「もしくは、ある男たちはほとんど偶然に見つけてしまった方法で快楽を得て、そのやり方でし続けます。以前は悪友が発射のための最善のやり方を教えてくれたものでした」 9 That s not to say that doing it by hand is a preferable solution, either. またこれは、手ですることが望ましい解決策だ、と言っているのではない。 10 "Incorrect methods aren t the only problem. Gripping it too strongly or moving too quickly during masturbation are also methods that bring sensations radically different to an actual vagina," Nagao says. "Ejaculation is stress-relieving, so there s a mentality problem involved as well because guys grip themselves firmer or move their hands faster because they want to feel pleasure as quickly as possible." 「不適切な方法だけが問題なのではありません。マスターベーション中にアレを強く持ちすぎたり早く動かしすぎたりすることもまた、実際のヴァギナと根本的に違う感覚を与える方法です」と永尾はいう。 「射精はストレス解消になるので、関係して精神的問題も起こります。可能な限り早く快楽を感じたいために、男たちは自分自身をより強く握ったり手を早く動かしたりするからです。 11 Pshrink Katsumi Harima agrees with Nagao that mental issues are involved with the onset of vaginal ejaculation disorder. 膣内射精障害の発症に心理的問題が関係することについて、精神科医の針間克己(ハリマカツミ)は永尾に同意する。 12 "Sex is too accessible for young people nowadays, what with adult movies and Internet porn," Harima tells Spa! "They re too used to the virtual world, which means when they find things like a woman who doesn t have porn star looks, is sweaty, or doesn t moan as loud as they re expecting, they become unable to ejaculate." (By Ryann Connell) 「アダルトムービーやインターネットポルノなど、このごろセックスは若い人々に影響を与えすぎです」と針間はSPA!に語る。 「彼らはあまりに仮想世界に慣れすぎていて、その結果、AV女優並みのルックスを持っていなかったり、汗ばんだり、思ったほど大きな声で喘がない女性などと出くわすと、彼らは射精できないようになるのです」(ライアン・コネル記) 13 (Mainichi Japan) January 31, 2008 (毎日 日本) 2008年1月31日 参考資料 永尾光一 http //www.lab.toho-u.ac.jp/med/omori/repro/patient/staff/koichi_nagao.html 赤枝恒雄 http //www.akaeda.com/doc/index.html 膣内射精障害 http //ja.wikipedia.org/wiki/%E8%86%A3%E5%86%85%E5%B0%84%E7%B2%BE%E9%9A%9C%E5%AE%B3 針間 克己 http //ja.wikipedia.org/wiki/%E9%87%9D%E9%96%93%E5%85%8B%E5%B7%B1 http //spysee.jp/%E9%87%9D%E9%96%93%E5%85%8B%E5%B7%B1/1076297/ 拡散状況 Blogger http //kristonikkolo.blogspot.com/2008/02/jaapani-mehed-versus-vagiinad.html Blogger:その他 http //intricate-spirit.blogspot.com/search?q=mdn Japanese Style Noodles http //www.japanesestylenoodles.com/waiwai/archive20080131 WaiWai Archive http //www.mainichiwaiwai.com/waiwai/2008/01/ 英語サイト http //www.docudharma.com/diary/4193 http //www.dvorak.org/blog/?p=15871 http //www.606studios.com/bendisboard/showthread.php?t=140209 http //www.militaryphotos.net/forums/showthread.php?t=127983 http //forums.nasioc.com/forums/showthread.php?t=1438452 http //forums.vr-zone.com/showthread.php?t=235456 関連ページ Blogger Blogger:その他 Japanese Style Noodles WaiWai Archive WaiWaiの記事を転載した英語サイト:D WaiWaiの記事を転載した英語サイト:J WaiWaiの記事を転載した英語サイト:M WaiWaiの記事を転載した英語サイト:N WaiWaiの記事を転載した英語サイト:V 毎日新聞英語版から配信された記事2008年
https://w.atwiki.jp/wiihack/pages/26.html
インストール方法 Twilight Hackを用いて実行してください(他の方法では正常にインストールされない場合があります) 表示された文章に従ってください The Homebrew Channel Installer, version beta 8 (c) 2008 Team Twiizers Throughout this installer, you may ACCEPT prompts by pressing either the RESET button on your Wii, the START button on the first GameCube pad, or the 1 button on the first Wii Remote. To CANCEL at any prompt and return to the System Menu, pres the POWER button on your Wii, the Z button on the GameCube pad, or the HOME button on the Wii Remote. Pres ACCEPT to continue or CANCEL to exit to the Sytem Menu. The Homebrew Channel Installer, version beta 8 (c) 2008 Team Twiizers No proprietary Nintendo material (code or references) wad used to create this channel and its compronents. The source code, audiovisual resources, and the tools used to create and package the channel are all homebrew software. This product is not licensed or endorsed by Nintendo. DISCLAIMER THIS PRODUCT COMES WITH ABSOLUTELY NO WARRANTY, NEITHER EXPRESS NOR IMPLIED. THE AUTHORS OF THE PROGRAM CANNOT BE HELD RESPONSIBLE FOR ANY DAMAGE OCCURRING AS A RESULT OF ITS USE, INCLUDING BUT NOT LIMITED TO ANY HARDWARE OR SOFTWARE MALFUNCTION OF YOUR WII CONSOLE OR ANY OTHER DAMAGE CAUSED BY THE USE OF THE SOFTWARE. Please visit http //hbc.hackmii.com for more infomation. If you agreee to the above, press ACCEPT. Otherwise, press CANCEL to exit to the System Menu. The Homebrew Channel Installer, version beta 8 (c) 2008 Team Twiizers Loding installation data... Title ID 0001000148415858 Checking system... Ready to install. Press ACCEPT to continue or CANCEL to abort. The Homebrew Channel Installer, version beta 8 (c) 2008 Team Twiizers Loding installation data... Title ID 0001000148415858 Checking system... Ready to install. Press ACCEPT to continue or CANCEL to abort. Starting installation... User already has 1 tickets. Deleting them. Deleted ticket... Installing ticket... Adding title... Adding content ID 00000000 (cfd 0) ........................................ Done (0x9bdb0 bytes) Adding content ID 00000001 (cfd 0) ........................................ Done (0xb4b80 bytes) Installation complete! Pres ACCEPT or CANCEL to exit to the Wii System Menu. Returning to the Wii System Menu... フォルダ構成 apps/*/boot.elf 実行ファイルです apps/*/icon.png 表示されるアイコンです 128x48のサイズで用意してください apps/*/meta.xml ツールの詳細を記述するファイルです ?xml version="1.0" encoding="UTF-8" standalone="yes"? app version="1" name ツール名 /name coder 作者 /coder version バージョン /version release_date リリース日時 /release_date short_description ツールの簡易詳細 /short_description long_description ツールの詳細 /long_description /app アンイストール方法 システムメニューから削除してください 中指カーソル 以前にHomebrew Channelのnolomit版をインストールしているとこのようなカーソルが表示されます 一度Homebrew Channelのnolimit版をwad化したものをWAD Uninstallerを用いてアンインストールすることで解決します 注意事項 SDアダプタははずしておく事 README.txtにも書かれているようにSDGecko等のSDアダプタははずしておきましょう フロントSDからファイルを読み込めず起動しても何も表示されません The Homebrew Channel Beta 8 Wiibrew.org 2008/06/06 In this archive, you will find the following files README.txtThis file boot.elfMain channel installer wiiload/USBGecko / TCP loader client wiiload/win32/wiiload.exePrecompiled binary for Windows wiiload/lin32/wiiloadPrecompiled binary for Linux (x86) wiiload/osx/wiiloadPrecompiled binary for Mac OS X (Universal) wiiload/wiiload.tgzSource code Update instructions If you have previously installed The Homebrew Channel, you can update it. If this is the first time you are installing it, see below for Installation Instructions. The easiest way to update is using the built-in Online Update functionality. Simply configure the WiFi network settings for your Wii for proper Internet connectivity,and boot up the channel. If the connection is established, you ll see an opaque white (not semitransparent) world icon in the lower right corner, and an update prompt will automatically appear. Accept it to begin downloading the update. If you cannot or do not want to connect your Wii to the Internet, simply run the boot.elf file using any homebrew booting method. For example, you can upload it using wiiload or you can make a directory inside /apps (for example, /apps/Update) and copy boot.elf there. Then, simply run it from the previous version of the channel. Installation instructions The suggested way to install the Homebrew Channel is by using Zelda The Twilight Pricess with the Twilight Hack, which is available at http //wiibrew.org/index.php?title=Twilight_Hack. After installing the Twilight Hack savegame, format an SD card (as FAT16; must be =2GB, non-SDHC) and place the contents of this distribution in the root directory of that card. Boot.elf must be in the root directory, and you must have a directory named "apps" inside the root directory. (You can delete the wiiload files from the SD card, as they are not needed.) Execute the Twilight Hack, and it will load and run boot.elf from the SD card. You will be presented with a disclaimer screen about the dangers of installing this hack (discussed here as well, below); follow the instructions. After this process has completed, you should have a new Homebrew Channel in your System Menu. You may safely delete the boot.elf file from the SD card; it is no longer needed. Adding and customizing apps All user applications should be stored in their own subdirectory inside of apps/; some examples have been provided. Each subdirectory should have at least three files; ScummVM will be used as an example. apps/ScummVM/boot.[dol|elf] main executable to be loaded apps/ScummVM/icon.png icon to be displayed in the Homebrew Channel Menu; should be 128 x 48 apps/ScummVM/meta.xml XML description of the channel. This format will change for future releases of the Homebrew channel, but we will try to remain backwards-compatible. See the included files for information on what data should be included in this file. Staying current with new releases Relax, you will not need to do anything to keep up with new releases of the Homebrew Channel. When a new version is available, a message will appear giving you the option to download and install the new version, if your Wii is configured to connect to the Internet. Uninstallation You may uninstall the channel as you would any other channel, by using the Data Management screen of the Wii Menu. RISKS, CAUTIONS, and SYSTEM UPDATES Any persistent modification to your system (meaning, anything that does not go away when you turn off your Wii) carries some inherent risk. We have worked hard to avoid this whereever possible, but we are unable to test all possible configurations. We do, however, believe that our channel is safer to install than any other homebrew channel that has been released, and once you have installed it we hope you will never need to install another! A special note about System Updates The Homebrew Channel relies on certain security flaws (fakesigned TMD and ticket) that may eventually be fixed in future versions of the Wii System Software. When these flaws are fixed, you may not be able to install this channel for the first time. It is not clear what will happen to users who have already installed this channel. We have done extensive simulation testing with the current System Menu and the (currently dormant) IOS37, and we believe there is no danger to your system, even if you upgrade. That having been said, we are releasing this software to you in the hope that you will find it useful. We can not and will not offer you any warranty on the functionality of this software, or its impact on your Wii System. We have made our best effort to ensure its safety and to honestly explain the risks involved, but the decision (and responsibility) is ultimately up to you. We recommend that you check for news at http //wiibrew.org about com patibility with new Nintendo System Updates before installing them; we will test each update as soon as it is publicly available, and will announce whether any issues have been discovered.
https://w.atwiki.jp/ddr_dp/pages/2627.html
Rhythms Inside(楽) 曲名 アーティスト フォルダ 難易度 BPM NOTES/FA(SA) その他 Rhythms Inside DKC Crew X3 楽4 131 142 / 10 STREAM VOLTAGE AIR FREEZE CHAOS 23 21 1 31 0 楽譜面(4) / 踊譜面(7) / 激譜面(9) / 鬼譜面(-) 属性 カニ歩き 譜面 http //eba502.web.fc2.com/fumen/ddr/x3/rhythm_i_8b.html 譜面動画 https //www.youtube.com/watch?v=MNelaLHXj_0 (x?.?, NOTE) 解説 若干渡りはあれど、殆どが正面で踏める配置。BPMも控えめなので特に問題無いだろう -- 名無しさん (2017-04-06 23 31 06) 名前 コメント コメント(私的なことや感想はこちら) 名前 コメント
https://w.atwiki.jp/vocalive/pages/27.html
このページ名(Name of this Page)→【ライブ技術一覧/2手作りライブ等の為の技術情報 Technology for the Vocaloid Handmade Live Concert】 Technology for the Vocaloid Handmade Live Concert and Event ライブ技術一覧 メニューMENU 1各自で研究開発中の投影ボードとスクリーンの一部 2手作りライブ等の為の技術情報 Technology for the Vocaloid Handmade Live Concert 3将来応用可能なライブ関連技術及び研究 Research and Development for Future Mascot and Vocaloid Development マスコットキャラ及びボーカロイドの作成と育成 ギミック Gimmick of Live Concert コンテスト Contest スクリーンに投影可能なテスト素材動画 Videos for Testing メンバー募集案内 Member Request ライブ録画技術 Video Recording Technique 動画作成のコツとMMD [Tips for Making Video & MMD]+MEMO 参考文献 References 各自で研究開発中のKinectと遠隔操作等の一部 Remote Control & Kinect 各自で研究開発中の同期システム Synchronization System 技術関係のMEMO 技術関係のMEMO2 perm 過去のライブの反省会等の一部 過去のライブの反省会等の一部 MEMO 配信と動画up技術 Streaming and Uploading Tech of Video 2手作りライブ等の為の技術情報 Technology for the Vocaloid Handmade Live Concert ライブ技術一覧/2手作りライブ等の為の技術情報 Technology for the Vocaloid Handmade Live Concert Project MMD Live and 39diyMMDConcert TECH/Oversea/Project MMD Live+39diyMMDConcert USA Life-Size Miku Performs Koi Suru VOC@LOID in My House! (等身大のミクさんが家にやって来た!) (等身大のミクさんが、家に来て恋するVOC@LOIDを歌ってくれた!) http //www.youtube.com/watch?v=eL36nf26djo Screen (スクリーンの作り方)? a large scrim mesh is suspended across a metal pipe (大きなスクリムメッシュを、金属パイプの枠に張った) material of scrim 素材は? Mesh number # or Mesh size ? exact product number of scrim mesh ? a full-horizontal-range-life-size-projection system Projection from rear (背面からのプロジェクター投影) Credits Song Koi Suru VOC@LOID CG Model Animation SEGA Animation source ripped, cropped, converted, positioned, tweaked, adjusted, exported, uploaded, and sent by xtokashx (A BIG THANK YOU TO YOU! if you are reading this) Animation from the MikuNoPolis Blu-ray disc credits ~ you knew I would do something with it, but did you expect this ;) Inspired by the video from AOKI_KC (ミクさん召喚対決!ディラッドスクリーン vs アミッド・スクリーン) http //www.youtube.com/watch?v=ZCYJu7KSqQM Scrim by www.mosquitocurtains.com scrim(スクリム)の意味 1 綿または亜麻の目の粗いカーテン用織物.家具の裏張り・カーテン用など、(スクリム ) 2 (米)演劇紗幕(しゃまく)、(舞台で用いる)紗(しや)の(背景)幕。 Mosquito Curtains http //www.youtube.com/watch?v=MnfoF_97ad8 http //www.mosquitocurtains.com/1-screen-porch-learn/1-intro-screen-porch-DVI.html Mesh Fabric Comparison Table Reference VOC@LOID In Love - 2011 MIKUNOPOLIS in Los Angeles End Credits http //www.youtube.com/watch?v=ieym3n6av5g Project MMD Live (PV) http //projectmmdlive.webs.com/ MMD LIVE by 39diyMMDConcert The Original Holographic VOCALOID Concert in Miniature http //39diymmdconcert.webs.com/ YouTube Channel 39diyMMDConcert http //www.youtube.com/user/39diyMMDConcert "MMD LIVE" is a homemade project that attempts to recreate the feel of a live VOCALOID concert on a small scale. Using holographic-illusion (Pepper s Ghost) technology, MMD models appear to move in 3D space on a miniature stage without the need for a projector. 日本語翻訳 (Japanese Translation) Project MMD Live, AniMiku and Life-Size Miku Performance アメリカ人学生が製作した3D映写システム「MMD LIVE」が力作すぐる件 http //vocaloid.blog120.fc2.com/blog-entry-10653.html ミクノポリスの3Dミクさんを自宅で再現した動画が凄い http //otanews.livedoor.biz/archives/51852063.html Vocalekt Visions LIVE/海外/Vocaloid Concerts of Vocalekt Visions Please find the separate page for Synthesized Reality Productions SRP in this Wiki. LIVE/海外/Vocaloid Concerts of Synthesized Reality Productions SRP [AOD] [Hatsune Miku Animation Concert] Vocalekt Visions @ Anime on Display 2012 WVD01 AniMiku http //www.youtube.com/watch?v=uIpT1kRSmPo Vocaloid MMD Live starts after 20min. Vocalekt Visions after 34min, Staff introduction around 48min Vocalekt Visions is the most active western VOCALOID producer team in USA. http //www.vocalektvisions.com/ Vocalekt Visions’ News http //web.me.com/tempo_p/Vocalekt_Visions/News/News.html Message http //web.me.com/tempo_p/Vocalekt_Visions/Message.html 主催のVocalekt Visionsから協力スタッフ等を募集 http //web.me.com/tempo_p/Vocalekt_Visions/Message.html Parallel World [Hatsune Miku] [Kagamine Rin] [Gumi] [SF-A2 Miki] [Original Vocaloid Song] http //www.youtube.com/watch?feature=player_embedded v=yXcdMWAHM7Y 藤本健の“DTMステーション” ボカロ曲をアメリカとルーマニアで合作するVOCALECT VISIONS http //www.dtmstation.com/archives/51859052.html English Article Vocalekt Visions http //www.mikustar.com/Vocalekt_Visions.html Vocalekt Visions at Anime LA 2012 (sound fixed) http //www.youtube.com/watch?v=hklEpmiRIN8 http //www.youtube.com/watch?v=tlpfusmbAvo (Original Recording ?) Songs presented 1) "Bring back your smile" - Gumi and Gakupo (motion under development) 2) "Overseas Travel" - Gumi 3) "Lemon Ice Bar" - Miku 4) "Headline Love" - Sweet Ann and Big Al (Koda-P) Vocalekt Visions presents Hatsune Miku and other Vocaloids at Anime LA on 2012-01-08. Vocalekt Visions is the largest western Vocaloid music-producing company and is quickly rising in popularity among western Vocaloid fans. With numerous connections to other Vocaloid professionals, Vocalekt Visions plans to expand its presence by producing fan-made Vocaloid concerts outside of Japan. Hear from host Holo the Wise, special guest Koda-P - the famous Engloid producer, and Tempo-P of Vocalekt Visions. Please visit their website for more original Vocaloid songs, and be sure to like and subscribe Vocalekt Visions! Credits 39diyMMDConcert (Shinji) film team Vocalekt Visions - neutrinoP and Tempo-P - http //www.vocalektvisions.com Host - Holo the Wise (James) Special Guest - Koda-P Animation AniMiku (Re VB) http //animiku.net MMD Animations by 1FNPony Dregorin Keeprefrigeratedful Raiku-P Choreographies by Myokuju Holo the Wise Yukie Dong Original video http //www.youtube.com/watch?v=tlpfusmbAvo ENJOY ^^ Materials to make Screen? 13 10secのところで、やや茶色い布が少し見える 映りこみなし。シーツ,。背面投影 neutrinoP s Vocaloid channel http //www.youtube.com/user/neutrino006 Vocalekt Visions official channel - Tempo-P and neutrinoP http //www.youtube.com/user/TempRecord/featured http //www.youtube.com/user/TempRecord/playlists Vocalekt Visions songs http //www.youtube.com/playlist?list=PL0B7F4958AAC860DA LA手作りライブの、左側の出演者のTempo-Pさんは 自分たちで作曲して投影ライブやってたらしい 【レモンアイスバー】ミクオリジナル曲 【初音ミク】 Tempo-P (Vocalekt Visions) http //www.nicovideo.jp/watch/sm14987729 (詳細リンク集有) http //www.youtube.com/watch?v=sLQWs7zFL8Y Lemon Ice Bar at PMX 2011 http //www.youtube.com/watch?v=sDWa-aU0XKc Tempo-P USA s vocaloid user in LA 30min http //www.youtube.com/user/TempRecord Amazon Tuned in the West Tempo-P NeutrinoP Anime Los Angeles Band Schedule 2012 http //www.animelosangeles.org/wp/2011/concerts-2/ Anime Los Angeles (紹介 日本語訳) http //www.bunkaextend.com/ala12_01.html Synthesized Reality Productions (SRP) Please find the separate page for Vocalekt Visions in this Wiki. LIVE/海外/Vocaloid Concerts of Vocalekt Visions Authorized FAN MADE SRP VOCALOID Concert at KamiCon 2014 http //www.youtube.com/watch?v=saCch6DjIOo Synthesized Reality Productions (SRP) http //synthreality.com/ http //synthreality.com/about/ [After Tempo left Vocalekt Visions, Wolf Neve set out to find a new group wanting to focus on live VOCALOID shows. Now, with NeutrinoP, Alfred, EmpathP, Apparatus and RuchiiP, the team has one goal – to keep the bar set high and try to put on the best show possible. Our dream is to make live concerts for VOCALOID all over the world. With us and all of you, we can make this dream come true!] Recent Events Lists http //synthreality.com/shows/ Miku USA http //vocaloidotaku.net/index.php?/topic/21866-animiku-and-mikusa-release/ AniMiku A VOCALOID Concert Animation System Designed and Coded by Re VB (ページ作成中) http //www.animiku.net/ Download AniMiku http //www.animiku.net/cms/download-animiku AniMiku Exhibition http //animiku.com/cms/exhibition http //www.animiku.net/cms/node/3 http //animiku.com/cms/tools AniMiku Non-Exhibition AniMiku Exhibition AniMiku blog (from New York) http //www.animiku.net/cms/blog-2/ AniMiku VOCALOID Concert Live at Tora-Con 2013 http //www.youtube.com/watch?v=fB9hWyaEkGc Blog-AniMiku and Vocalekt Visions at AnimeLA 2012 http //www.animiku.net/cms/blog-2/animiku-and-vocalekt-visions-at-animela-2012/ AniMiku - VOCALOID Concert Animation System Software Overview Demonstration http //www.youtube.com/watch?v=fIkZBY90n8o New AniMiku Version 3.9 Release Beta Preview http //www.youtube.com/watch?v=okPvBMF3BRA 「Feature Explanation Controllable lighting effects You would be able to control the light s position, color, and brightness Light Source/Glow Mode Parts of the model can be configured to be light sources or to glow. This way, when the main virtual light is dimmed or turned off, these parts of the model will stay lit (for example, the lights on Miku s armbands and skirts). This effect was used in the 39 s concerts. Animated Textures You would be able to load the model in an editor, and load multiple images that will act as frames for the animation (similar to an animated GIF, except higher quality), set the frame delay, and these textures will be animated by the renderer in real-time Transition Effects Currently the transition effect is a fade in or out. Possibly in the future I may add other effects Soft Shadows/Self Shadow The program will render realistic shadows on the model, improving the 3D effect」 AniMiku and MikUSA Release AniMiku - Hatsune Miku Full Scale Holographic Performance of 1/6! http //www.youtube.com/watch?v=k-WgZQgzWx0 AniMiku Live Hatsune Miku Concert at Tora-Con 2012 Official Video http //www.youtube.com/watch?v=9F2c4YrvzQs AniMiku Live Concert at Tora-Con Mascot Development of AniMiku "Ani-Chan" (マスコットキャラの作成と育成) http //akiglancy.deviantart.com/art/Ani-chan-369093012 Mascot of Animiku made by Aki Glancy http //akiglancy.deviantart.com/ MMD Development of "Ani-Chan" Model MMD Ani-Chan Release Mascot of Animiku MMD made by Digitrevx. http //digitrevx.deviantart.com/ imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 http //digitrevx.deviantart.com/art/MMD-Ani-Chan-Release-Mascot-of-Animiku-386682659?q=gallery%3ADigitrevx%2F42498145 qo=1 Link to download page of AniMiku "Ani-Chan" http //www.animiku.com/cms/about/ani-chan [MMD] Remote control feat. Racing Miku, and Ani-chan http //www.youtube.com/watch?v=fQQWLo29Stw [MMD] Ani-Chan - [Animiku] - Sweet Devil http //www.youtube.com/watch?v=_sAlKlcn-04 Introduction of Project MMD LIVE technology (Project MMD LIVE の技術説明概要) YouTube Channel 39diyMMDConcert (Project MMD Live) http //www.youtube.com/user/39diyMMDConcert/ What Is MMD LIVE? "MMD LIVE" is a homemade project that attempts to recreate the feel of a live VOCALOID concert on a small scale. Using holographic-illusion (Pepper s Ghost) technology, MMD models appear to move in 3D space on a miniature stage without the need for a projector. What s the point of this project? The goal of the MMD LIVE project is to demonstrate an alternate technology that could be used for live Vocaloid concerts. Due to resource and budget limitations, I was not able build a life-sized version of this project. However, it can be done and the same technology I used for this project can be used for Miku s concerts. This would solve 3 problems 1 - Elimination of the glow stick reflections on the screen 2 - Even illumination across the entire area - Miku does not fade as she moves horizontally 3 - Elimination of projector light obscuring parts of Miku How it Works Optical superimposition of virtual images - a technique known as Pepper s Ghost which has been modernized in the Musion Eyeliner system. What is holographic-illusion (Pepper s Ghost) Effect? ペッパーズ・ゴーストの説明: wikipedia Pepper's Ghost Effect (wikipedia) Pepper s Ghost Effect(ペッパーズ・ゴーストを発生させる構造説明の動画) http //www.youtube.com/watch?v=kMCVqqUzfyQ Peppers Ghost Illusion Tutorial http //www.youtube.com/watch?v=xCYWEwtrxAk What is Musion Eyeliner system? AV Concepts Musion Eyeliner http //www.youtube.com/watch?v=pkarjAr4hsM Musion Eyeliner Holographic Projection Setup http //www.youtube.com/watch?v=HtVcN0q-A08 Musion Eyeliner Hologram by - info@rocknano.com http //www.youtube.com/watch?v=HX0-z7mMXV0 Gorillaz Hologram MTV Awards - Created by Musion Eyeliner http //www.myspace.com/video/musion-eyeliner/gorillaz-hologram-mtv-awards-created-by-musion-eyeliner/12205161 Project MMD Live (PV) http //projectmmdlive.webs.com/ MMD LIVE by 39diyMMDConcert The Original Holographic VOCALOID Concert in Miniature http //39diymmdconcert.webs.com/ FaceBook-Project MMD LIVE http //www.facebook.com/pages/Project-MMD-LIVE/357988107550896?sk=wall Video Gallery http //39diymmdconcert.webs.com/apps/videos/ The Set List of MMD LIVE http //39diymmdconcert.webs.com/setlist.htm Photo Gallery of Project MMD Live (View as Slideshow、写真、スライドショーで見る) http //projectmmdlive.webs.com/apps/photos/ Pictures of the MMD LIVE miniature concert stage by 39diyMMDConcert Making MMD LIVE miniature concert stage(MMD LIVEの作成風景写真) http //39diymmdconcert.webs.com/apps/photos/album?albumid=12655770 Pictures of the MMD LIVE miniature concert(ミニチュアライブの写真) http //projectmmdlive.webs.com/apps/photos/album?albumid=12677965 日本語翻訳 (Japanese Translation) Project MMD Live, AniMiku and Life-Size Miku Performance アメリカ人学生が製作した3D映写システム「MMD LIVE」が力作すぐる件 http //vocaloid.blog120.fc2.com/blog-entry-10653.html ミクノポリスの3Dミクさんを自宅で再現した動画が凄い http //otanews.livedoor.biz/archives/51852063.html 作ってみた業社さんが「半透明スクリーン」を作ってしまったらしい件 http //vocaloid.blog120.fc2.com/blog-entry-5671.html http //www.youtube.com/watch?v=YmTXICpWgc0 【立体映像】ミクさんが透明スクリーンから出てきてくれました。ver1.03 【立体映像】ミクさんが透明スクリーンから出てきてくれましたver1.03 http //www.nicovideo.jp/watch/sm16322269 導入編 http //www.nicovideo.jp/watch/sm15744982 科学と財布の限界を超え、初音ミクを“3次元”に http //ascii.jp/elem/000/000/651/651624/ polyphonicskies.net http //www.polyphonicskies.net/index.html FVP-Project Aono.Y http //twitter.com/Aono_Y 裸眼3Dミクさん ピタゴラ装置的なMMDモデルが配布されているらしい件 http //vocaloid.blog120.fc2.com/blog-entry-10626.html 【ハコあに】 Hako-Ani 横からも見れる反射式透過スクリーン http //www.youtube.com/watch?v=y8g8seGcEcM 初音ミクを自宅に召喚してみた【ハコあに】 出た!立体視ディスプレイ「ハコあに」の店頭デモに「結月ゆかり」が起用 http //vocaloid.blog120.fc2.com/blog-entry-12534.html Hako-ani 東北ずん子の『3Dディスプレイを使った動くフィギュア』【ハコあに】 http //www.youtube.com/watch?v=9UeFPZL0PRw 3Dディスプレイの「ハコあに」をつかった、東北ずん子の動画。 『ハコあに』とは「3Dディスプレイを使った動くフィギュア」 いろいろな方向からキャラクターを見ることが出来る。 3Dディスプレイは、SSS LLCが企画、ALBEDOが製造を行っている。 バーチャルアイドルを立体投映できる家庭用装置「ハコあに」 http //gadget.itmedia.co.jp/gg/articles/1207/27/news058.html 展示会などで使われる業務用の立体映像装置を小型化した。従来の装置は大型のプロジェクタを使っていたが、ハコあにはタブレットの映像を投映してバーチャルアイドルの立体映像を映す。ハーフミラー方式だが、特殊加工した高価なフィルムを使うことで透明度が高く、映像のゆがみもないという。 【MMD】ミクをハコに入れるための動画【らぶ式】 http //www.nicovideo.jp/watch/sm23506136 【MMD】ハコビジョン入り娘【らぶ式】 http //www.nicovideo.jp/watch/sm23506119 ピラミッド型透過スクリーンの解説画像 http //www.youtube.com/watch?v=uhjDs4ZcBsQ 立体視ディスプレイを作ってみた TECH/日本/Hatsune Miku Hako Vision (Box Vision) Production Projection Mapping プロジェクションマッピング入門 Projection Mapping Wikipedia プロジェクションマッピング Wikipedia 2.プロジェクションマッピング入門~理論・制作手順・機材~ http //www.sugawara.ac.jp/digital/blog/projection-mapping-semi-top/02-princeple ピラミッド型反射式透過スクリーンの透過率が高い方 acrylic board 立体投映のPVC・初音ミク Tda式Ver http //www.nicovideo.jp/watch/sm19947739 暗くするのがコツ:2min 30sec アクリル板 厚1mm MMDAgentを応用したピラミッド型透過スクリーン (kinect)霊夢の実体化計画-インターアクション http //www.nicovideo.jp/watch/sm19980305 acrylic resin アクリル (wikipedia) 【フォグスクリーン】Mist screen http //www.nicovideo.jp/watch/sm19735088 【フォグスクリーン】映像投影可能な加湿器を作ってみた http //www.nicovideo.jp/watch/sm19831829 裏表から見られるプロジェクター投射システム http //www.youtube.com/watch?v=R57Ph8GLUTM ポリッドスクリーン kinect,headtracking,ポリッドスクリーンを用いて 裏表から見られるプロジェクター投射システム作ってみました。 裏から見ても表から見ても反転してません。 ヘッドトラッキングも行なっているので3Dキャラの背中も見ることができます。 http //www.nicovideo.jp/watch/sm20202950 【BUMP OF CHICKEN feat. HATSUNE MIKU「ray」】 https //www.youtube.com/watch?v=yT_ylSCgY6Q ついに公開! BUMP OF CHICKEN×初音ミクの最新技術によるMVが話題 http //kai-you.net/article/3892 映像を手がけているのは、初音ミクによるオペラ「THE END」のプロデュースを手掛けたクリエイティブプロダクション・A4Aの東市篤憲さん。 初音ミク開発元であるクリプトン・フューチャー・メディア社による完全監修のもと、「14(イチヨン)モデル」という最新の3DCGモデルの初音ミクを制作。 同社の開発したスクリーン素材、センサー制御、トラッキング設計、同期システム、リアルタイムアニメーション技術などの最新テクノロジーによって、CG合成ではなく、BUMP OF CHICKENと初音ミクが同じ空間に立ち、撮影に挑むという世界初の「リアルタイムでの共演」を可能にしている。 【YouTube】初音ミク・ドキュメンタリー 技術編公開!BUMP OF CHICKEN コラボMV実現の裏側に迫る! http //blog.piapro.net/2014/03/youtube-bump-of-chicken-mv.html http //www.crypton.co.jp/cfm/news/2014/03/ray http //blog.piapro.net/2014/03/youtube-bump-of-chicken-feat-h.html 【初音ミク】39ch 特別編 BUMP OF CHICKEN feat. HATSUNE MIKU 「ray」 http //www.youtube.com/watch?v=43hxfj5RFCk ユニティ 【Hatsune Miku】初音ミク ドキュメンタリー テクノロジー編 / 39ch Documentary Technology 【初音ミク】 http //www.youtube.com/watch?v=m0N9szI19BA カメラの横にセンサー(複数)を付けている。センサーと同期させている The synchronization of censors of the camera 円筒形のスクリーンの中心にWiFiの親機の中心がある。 In the middle of sylinder shaped screen, a parent WiFi station was placed. CGの原点位置情報が、リアルタイムで移動する。 3軸の加速度センサーと3軸のジャイロセンサーを組み合わせた、6軸のセンサーを使用。 combination of 3-axis accelerometer censors and 3-axis gyro sensors. ジャイロセンサーは、スタジオ内の磁気ノイズが入るため、手でシールドを行った。 別府Trans City feat. Hatsune Miku]のスカイライトシアターの技術を利用。 全天周360度スクリーン。 プリジェクターの台数は多い。Several numbers of projectors were used. イーハトーヴ仕様円筒形スクリーンを土台にした。 分厚いと円筒形にスクリーンを巻けないため、厚みを調整した。 Modification of thickness of the screen is required to make the sylinder shaped screen. 同期システム synchronization system How to synchronize several PC and videos. (free soft) フリーソフトを使って複数PCで同期再生する方法 http //www.nicovideo.jp/watch/sm22615641 同期操作ソフト「SameKm」のダウンロードは↓こちらからどうぞ http //www.vector.co.jp/soft/winnt/util/se486415.html 3Dゲームファンのための「バーチャファイター5」グラフィックス講座 PCベースのアーケードシステムで実現される至極のリアルタイム3Dグラフィックスの秘密 EDIT Page If do not know about editing web page of this Wiki, DO NOT EDIT. Click HERE to Edit Current Page or click following URL to edit this page. http //www18.atwiki.jp/vocalive/editx/27.html Make sure to rewrite correct page number after (/vocalive/editx/) or (/vocalive//editx/PAGE NUMBER.html) to edit current page. [ページ保存] button below the editing window=means SAVE the page after editing to finish editing. [プレビュー] button below the editing window=means PREVIEW the page during editing. input the code number shown to perform these command. To cancel editing, just use Web browser button out side the editing window to go back. or CLOSE the editing page of the Web browser s window. If you make mistake, DO NOT SAVE the page. Do NOT press [ページ保存] button. [» タグ ]box below the editing window=means make TAG of this page after editing. If you have any problem, insert "HELP" in the TAG to identify the page at later for repair. EDIT & MAKE Page http //www18.atwiki.jp/vocalive/editx/27.html
https://w.atwiki.jp/vocaloidenglishlyric/pages/271.html
【Tags G Miku tG buzzG】 Original Music Title GALLOWS BELL Music Lyrics written, Voice edited by buzzG Music arranged by buzzG Singer 初音ミク (Hatsune Miku) Click here for the Japanese Lyrics English Lyrics (translated by lygerzero0zero): In this cold room touched by not a single ray of light Let us rock the cradle of oblivion She gave to Him her smile and unconditional love Even when their farewell came, She spoke thus "Don t cry please, I m sure that I wanted you to do this to me Don t mourn please, we ll soon see each other again Hey, now It s all right, I m certain That you re not mad at all. It s just a little unreal, that s all." He caused Her life to end with his own hands For the two of them, a day more important than any other. Locked behind bars, with deadened eyes, He breathes on Even after being forgiven thousands of times, He spoke thus "My hands are stained with blood They will never return to normal, but I won t mourn, I ll see Her soon after all Hey, but Far more than remembering and weeping I m afraid I won t be able to remember at all I won t wander, I won t regret But I m just a little afraid…" The end has come, and now He In exchange for his trembling mind and body Recalls Her words Now, right now "Don t cry please, I m sure that I wanted you to do this to me Don t mourn please, we ll soon see each other again Hey, now It s all right, I m certain that you re not mad at all." The blessed bell rings, His footsteps grow light He now goes to meet Her He now goes to meet Her Singable English Lyrics (by ナノ(Nano)): Darkness locks me into this room the air I breathe has never felt so cold and I m losing hold of everything I had so I ll rock myself to sleep Her beautiful smile was always just for him every corner of her heart was filled with her love for him Even when the time would come to say goodbye this is what she d say "There s nothing to cry for, I want you to know that as long as it s you, this pain couldn t hurt me No reason to regret, I ll always be waiting for you my love oh It ll be alright, I want you to know that I ll always believe in the truth of your words The only thing unreal was my place in your heart She could feel his words wrap around her neck her very last breath was swallowed into silence and everything they had together fell away This is how their story ends Surrounded by an iron barricade gazing at the light with eyes of lead even after all the time gone by this is what he d say "I look at these hands that are stained with blood and they ll never bring back all the things that they took so I won t turn back, I ll find you again someday I know oh If only the tears would erase all the memories then maybe I d learn to fight all these fears won t hesitate, won t run away these are things I m scared to say… As he is standing in light that is fading he s feeling the trembling beat of his heart and he remembers the sound of her very last words again again "There s nothing to cry for, I want you to know that as long as it s you, this pain couldn t hurt me No reason to regret, I ll always be waiting for you my love my love It ll be alright, I want you to know that I ll always believe in the truth of your words" With open arms, he looks to the sky finally, I ve found my way my way to you my way to you Romaji lyrics (transliterated by motokokusanagi2009): hikari hitotsu mo todoka nai tsumetaku natta kono heya de saigo ni natta yuri kago o yurashi mashō kanojo wa kare ni egao to mushō no ai o sasage mashita sayōnara no sono toki mo kō ī mashita "naka nai de watashi wa kitto anata ni kō sare tai to nozonda no kuyama nai de sugu ni aeru kara nē mō daijōbu anata wa kitto kurutte nanka nai to omou no sukoshi dake Unreal tada sore dake" kare wa kanojo no inochi o jibun no te de owa rase mashita futari ni totte nani yori mo daiji na hi deshita tetsugōshi ni kako mare shin deru me de iki o shite nan zen kai yuru sareta ato mo kō ī mashita "kono te wa chi de fuyake te moto niwa mō modora nai keredo kuyama nai yo sugu ni aeru kara nē demo omoi dashi te naku yori zutto omoi dase nai koto ni obieru mayoi wa nai kōkai mo nai sukoshi dake kowai kedo..." kare wa ima saigo no toki furueru shinshin to hiki kae ni omoi dashi masu kanojo no kotoba o ima ima "naka nai de watashi wa kitto anata ni kō sare tai to nozonda no kuyama nai de sugu ni aeru kara nē mō daijōbu anata wa kitto kurutte nanka nai to omou no" shukufuku no kane ga nari ashimoto ga karuku nari ima ai ni iku ima ai ni iku
https://w.atwiki.jp/mrfrtech/pages/115.html
Electrical Computer-Aided Design Market Overview The Global Electrical Computer Aided Design Market Share is expected to reach USD 2860.3 Million by 2024 at a CAGR of 9.22% during the forecast period. Market Research Future (MRFR) in its report envelops segmentations and drivers to provide a better glimpse of the market in the coming years. Cloud computing is a driving force for the designing field, as it enables designers to access tools and collaborate with their teams over a single platform to make informed decisions during the designing stage. According to a Worldwide CAD Trends 2016 survey conducted by Business Advantage, the use of cloud-based CAD is likely to go up to 29% over the next three to five years. However, the piracy of ECAD software is a major factor limiting the growth of the global electrical computer-aided design (ECAD) market. Increasing use of cloud-based ECAD tools and increasing demand for automation in process industries such as oil gas and manufacturing are contributing to the growth of the global electrical computer-aided design (ECAD) market. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/8235 Competitive Analysis The key players of the global electrical computer-aided design (ECAD) market are Dassault Systèmes SE (France), EPLAN Software Service (Germany), Siemens AG (Germany), Autodesk, Inc. (US), Trimble, Inc. (US), Bentley Systems, Inc. (US), Nemetschek SE (Germany), IGE+XAO (France), and ALPI International Software (France), among others. In January 2019, Trimble launched the latest version of its architectural modeling software—SketchUp Pro 2019. The product has layers with dashed lines which allow simplifying drawings with effective communication. In February 2017, IGE+XAO Group opened a new subsidiary in India—IGE+XAO INDIA Private Limited—to enhance its distribution capabilities. This subsidiary distributes IGE+XAO Electrical CAD, PLM, and simulation software for the rapidly expanding Indian market. Segmental Analysis The global electrical computer-aided design (ECAD) market has been segmented based on component, industry type, application, vertical, and region. Based on component, the market has been classified as software and services (support, training, and maintenance). The software segment accounted for the largest market share in 2018; the services segment is expected to register the highest CAGR during the forecast period. Electrical Computer Aided Design Market Share is a real-time standalone, easy-to-use, multi-user electrical design tool that helps in efficiently defining the electrical interconnections for complex electrical systems. Various organizations provide a range of ECAD support services to provide insights into, and detailed information about the entire ECAD software system. Training service providers offer online training, customized classes, classroom, and on-site training, and one-day training classes to end users. The regular maintenance of ECAD software prevents unwanted downtime and proves critical to maintaining a smooth-running facility. Maintenance services help organizations to support the work efficiency of software on a timely basis. Based on industry type, the market has been classified as process industry and discrete industry. The discrete industry segment accounted for the largest market share in 2018, with a market value of USD 1,192.7 million; it is expected to register the highest CAGR during the forecast period. The discrete industry involves the production of whole equipment or parts/components; ECAD is required to create and modify the design of an equipment manufacturing process. Various software providers, such as Autodesk, offer ECAD software solutions and for discrete product manufacturing. The solutions provide 3D model designing, engineering, data management, and process management. The implementation of software in process industry enhances productivity, which saves time and minimizes errors in implementation planning. Different process industries require a different set of ECAD features and capabilities that vary as per the industry requirements. The adoption of ECAD is expected to grow significantly in the process industry during the forecast period. Based on application, the market has been classified as industrial machine controls, plant design, mining equipment control, rail signaling, switchgear design, water treatment and distribution system control, and others. The industrial machine controls segment accounted for the largest market share in 2018, while the water treatment and distribution system control segment is expected to register the highest CAGR during the forecast period. Machine control helps in increasing productivity, reducing costs, and improving ease-of-use. Industrial machines are custom designed for their specific purpose and are optimized for throughput, precision, and availability. A plant layout largely impacts the total operation of a company which includes the production processes, equipment, storage, and dispatch. Signaling is one of the important components of railway network design, as the control and management of trains depend on signals for safer train movement. ECAD software is used in rail signaling to perform tasks such as modifying existing interlockings or creating new ones, editing of interlockings, making wiring schematics, generating wiring schedules and tables and tables linked to schematics automatically, creating rack layouts linked to schematics, and auto-generation of plans and documentation. The ECAD software covers the entire range of services in designing switchgear, which includes mounting layout in 3D, using the virtual wiring of the components to the individual design and adaptation of copper bars for flexible power distribution systems. In a water treatment plant, there are various electrical tasks performed, such as design and build of integrated power and control solutions. It is essential that the electrical network of a water treatment plant is in line with the required processing quality of the plant so that it can operate using optimal energy and reduced cost. Regional Analysis The global electrical computer-aided design (ECAD) market, by region, has been segmented into Asia-Pacific, North America, Europe, and the rest of the world. North America is expected to dominate the global electrical computer-aided design (ECAD) market during the forecast period due to the increasing number of process and discrete industries and high investments in industrial manufacturing in the region. Access Report Details @ https //www.marketresearchfuture.com/reports/electrical-computer-aided-design-market-8235 Table of Content 1 Executive Summary 2 Market Introduction 2.1 Definition 17 2.2 Product Considered 17 2.3 Scope of The Study 18 2.4 Market Structure 19 Continued…. List of Tables Table 1 List of Assumptions 26 Table 2 Global Electrical Computer-Aided Design (Ecad) Market, By Component, 2020–2027 (Usd Million) 35 Table 3 Software Electrical Computer-Aided Design (Ecad) Market Estimates Forecast, By Region 36 Table 4 Global Electrical Computer-Aided Design (Ecad) Market, By Services, 2020–2027 (Usd Million) 36 Table 5 Support Electrical Computer-Aided Design (Ecad) Market Estimates Forecast, By Region 37 Continued….. Trending Research Report** Internet of Things Market https //writeonwall.com/internet-of-things-market-growth-key-players-with-product-particulars-applications-future-trend-business-growth-market-size-key-players-update-business-statistics-and-forecast-till-2030/ B2B Telecommunication Market https //ict268262635.wordpress.com/2022/04/06/b2b-telecommunication-market-major-application-third-party-usage-micro-market-pricing-analysis-and-geographical-analysis-forecast-to-2030/ Passport Reader Market https //ict268262635.wordpress.com/2022/04/06/passport-reader-market-major-application-third-party-usage-micro-market-pricing-analysis-and-geographical-analysis-forecast-to-2030/ Antivirus Software Market https //ict268262635.wordpress.com/2022/04/06/geospatial-market-major-application-third-party-usage-micro-market-pricing-analysis-and-geographical-analysis-forecast-to-2030/ Cash Management System Market https //www.scutify.com/articles/2022-04-18-cash-management-system-market-size-receives-a-rapid-boost-in-economy-due-to-high-emerging-demands List of Figures Figure 1 Market Synopsis 16 Figure 2 Market Structure Global Electrical Computer-Aided Design (Ecad) Market 19 Figure 3 North America Market Size Market Share By Country (2020 Vs 2027) 20 Figure 4 Asia-Pacific Market Size Market Share By Country (2020 Vs 2027) 20 Figure 5 Europe Market Size Market Share By Country (2020 Vs 2027) 21 Continued…. About Market Research Future At Market Research Future (MRFR), we enable our clients to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. MRFR team have supreme objective to provide the optimum quality market research and intelligence services to our clients. Our market research studies by Solutions, Application, Logistics and market players for global, regional, and country level market segments, enable our clients to see more, know more, and do more, which help to answer all their most important questions. Contact Market Research Future Office No. 528, Amanora Chambers Magarpatta Road, Hadapsar, Pune – 411028 Maharashtra, India 1 646 845 9312 Email sales@marketresearchfuture.com #market #research #industry #data #report #share #digital #gnews Plugin Error キーワードを入力してください。 #trend #future #analyis #industryreport #industrygrowth #demographic #strategy #manegment Published Similar Report https //find24.info/blockchain-technology-uses-and-benefits/ https //www.letsdiscussonline.com/hot-articles/an-inside-perspective-on-b2b-telecommunications/ https //www.ourmarkethub.com/telecom-expense-management/ https //planetstoryline.com/global-digital-business-card-market/ https //dailytechtime.com/fiber-optics-is-widespread-across-the-globe-know-why/ https //www.coinideology.com/digital-marketing-software https //www.techtually.com/osint-integration-in-agencies/ https //bronzereview.com/some-interesting-facts-about-cloud-manufacturing/ https //techmodena.com/mobile-phones/antivirus-software/ https //evodix.com/top-5-reasons-why-companies-are-switching-over-to-cloud-database-from-traditional-server-storage/ https //factifying.com/artificial-intelligence-in-retail/
https://w.atwiki.jp/touhoukashi/pages/4331.html
【登録タグ C あさな アリスマエステラ イオシス 曲 東方紫雨天獄】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*